Diverse influences mix together to create genre-defying sounds, particularly laid-back grooves that conjure up carefree summer afternoons hanging with friends? That’s the Oakland sound in 2022.
What can one say about 2020 other than, “Good riddance”? I can think of one thing: There was some damn good music released this year. Is it because 2020 was a particularly fruitful year, with talented artists who had nothing else to do but write and record new music?
This year. This fucking year. But, on the bright side, it’s half over! And surely 2021 couldn’t be any worse, right? RIGHT? In times like…
“Everything, everything, everything, everything, everything is awful!!!”
That, my friends, was 2018, in all its mortifying, capricious, senseless absurdity. I can think of no better soundtrack.