A Taste of Things to Come: Great Lake Swimmers at The Independent, SF

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On the menu tonight: Chill, Canadian folk-rock.

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The Annotated Decemberists No. 10: “A Cautionary Song”

Perhaps no band’s lyrics better lend themselves to pseudo-academic analysis than those of The Decemberists. The Annotated Decemberists is an attempt to puzzle through the Portland, Oregon, group’s entire catalog song by song—examining all the obscure vocabulary, historical references and poetic subtext—or go crazy trying.

This song is a bit problematic. I’ve been dreading writing about it ever since I started in on Castaways and Cutouts, because essentially what we have is a fairly horrific description of the gang rape of a prostitute set to jaunty accordion music. While it’s not exactly played for laughs, it is a bit quirky—it can’t help but be with that oom-pah rhythm. The theme of women at the mercy of dastardly scoundrels comes up again and again in The Decemberists’ discography, but nowhere else is Colin Meloy quite so … flip about it. And then there’s the grim punchline at the end of the song, which confirms the song’s setup: This whole cautionary tale is being told like a bedtime story to a child as some sort of ill-conceived lesson about appreciating one’s mother. Continue reading

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Racking Up Plays: “Closer Than This” by St. Lucia

St. Lucia's Jean-Philip Grobler (via Facebook)

These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with it and listen because you’re a good friend.

“Closer Than This,” St. Lucia

A lot of the ’80s-inspired music out there—and there is a lot out there—annoys me. I have a tough time pinpointing exactly why. After all, the ’80s provided the soundtrack of my youth. There are plenty of ’80s songs that I still enjoy and listen to regularly. But when some modern-day bedroom-pop whiz fires up his synthesizer and sets it to “Wham,” my gut reaction is an eye roll. Maybe it’s because ’80s nostalgia comes so easy—a lot easier than, say, ’90s nostalgia—to most people. (Just try throwing both an ’80s party and a ’90s party, and note how much more fun people have with outfits for the former.) Or maybe it’s just because a lot of these musicians, frankly, just aren’t as good at crafting pop hooks as the hit-makers of the ’80s. Continue reading

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PHOTOS: A-Town Festival at Verdi Club in San Francisco, 04.29.12

Slim Jenkins at Verdi Club, San Francisco, 04.29.11.

Golly. I haven’t seen so many flying skirts since the aviatrix convention! *rim shot* Hey-o! But seriously, folks, this Sunday event was more than a 12-hour music festival, it was one heckuva swinging dance party. The Verdi Club‘s dance floor, though sizable, was mostly packed with couples in knee-length vintage dresses or embroidered shirts flinging each other around. When I applauded between songs, I felt like I was clapping for the dancers at least as much as for the bands. You should have seen all the hot tamales.

Literally. There were literally a bunch of tamales available for $3 each or $6 with beans and rice. Continue reading

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A Taste of Things to Come: A-Town Fest at Verdi Club in San Francisco

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This is the jump-bluesy, western-swingy Reno band Golden West Trio with Miss Kay Marie, part of a celebration of American roots music from the ’30s through ’60s. There are a ton of folks all gussied up in retro dresses and dashing hats, all cutting a rug–I believe that’s what they call it—on the dancefloor. I think they’re also serving tamales, which I’m about to go check out.

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SONG DUEL!: “Somebody That I Used to Know” by Gotye vs. “Somebody That I Used to Know” by Elliott Smith

Two songs enter. One song leaves. Well, OK, both leave. It’s not like we erase all traces of the losing song from the Internet, but we determine once and for all which tune has the right to their strikingly similar titles. This is SONG DUEL!

Man, this Gotye song is everywhere. I was at the KFC on Lake Park Avenue the other day; they had the radio tuned to a local “urban”-I-believe-is-the-polite-term-nowadays station, and it was playing some sort of remixed version with a hip-hop beat. It is seriously approaching “Rolling in the Deep” territory in terms of overexposure. But can its across-the-board acceptance compete with the deep respect that the late Elliott Smith‘s songwriting inspires? Let’s find out, shall we?

Elliott Smith vs. Goyte Continue reading

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Racking Up Plays: “Don’t Get Married Without Me” by Punch Brothers

Photo by C. Taylor Crothers via Nonesuch Records

These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with it and listen because you’re a good friend.

“Don’t Get Married Without Me,” Punch Brothers

In my youth, I was a bit of an acoustic-music militant. As a high schooler, I pretty much didn’t give bands a chance unless there was some acoustic guitar involved (which wasn’t so rare in the mid-’90s–even Alice in Chains went unplugged). As a college student, I tried to start an all-acoustic band; the only rule was “no amps allowed.” Continue reading

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Here’s a cartoon I drew

Let’s see if you can identify the song it references.

To answer your next question–”What, is this blog a webcomic now?”: Yes, apparently it is. I’m going to have work on my drawing skills if that’s the case.

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PHOTOS: Drive-By Truckers at The Fillmore in San Francisco, 03.16.12

Mike Cooley of Drive-By Truckers, The Fillmore, San Francisco, 03.16.12

What the world needs more of:

  • Guitar solos
  • Pedal steel guitar solos
  • Angry sing-along choruses with lyrics like, “Hell no, I ain’t happy!”
  • Bands that drink from Costco-sized bottles of hard liquor on stage
  • Drive-By Truckers

Yes, the world would be a better place if there was more of what I saw Friday night at San Francisco’s venerable Fillmore concert hall. Or if not the world, at least the music industry. Continue reading

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A Taste of Things to Come: Drive-By Truckers at the Fillmore

Yup, it’s a shit-kicker.

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