People riding BART in their underwear and other vaguely planning-related links worth clicking

No Pants Subway Ride

“No Pants Subway Ride” day 2015 in Mexico City. [Photo Credit: “ViajesinPantalones2015 22” by AlejandroLinaresGarciaOwn work. Licensed under CC BY-SA 4.0 via Wikimedia Commons.]

Perhaps you loyal readers didn’t notice all the changes around here over the last 24 hours, but it’s a new day for All The City Lights! Being strictly a music blog is so streets behind. In order to stay streets ahead, I am going to be writing about literal streets. Dovetailing with my current studies in urban planning, this blog will now include posts about the issues facing cities, and their challenges and successes.

I’m going to start out simply, with a roundup of links to recent articles touching on planning topics. In fact, depending on how intensive my classes are this semester, simple link roundups might be the only type of post made to this blog for the foreseeable future. That’s OK, because there is so much going on in the world of planning right now that there is no shortage of fascinating stories. For those of you who are unfamiliar with the field, once you get acquainted and start looking, you start noticing planning everywhere. Like, literally, 10 percent of the stories on NPR are planning-related. Continue reading

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Rankstravaganza 2014: My 30 favorite songs of the year

NC

The unlikely reunion at No. 1 (courtesy of Nonesuch Records)

I basically haven’t posted anything new to this blog since my 2013 year-end roundup. It’s been a busy year full of new challenges and responsibilities, but I’ve continued to listen to new music and compulsively keep track of what got played the most. This year’s list begins and ends with a pair of unlikely (but long-overdue) reunions from bands that haven’t released albums in nearly a decade.

A few other trends on display:

  • The feminist in me is happy to report that women vocalists are represented in half of the Top 10—assuming you count Neko Case on The New Pornographers’ track (and why wouldn’t you?)—including the No. 1 and No. 2 spots.
  • I managed to sneak in one hip-hop track and two electronic/dance tracks, but, as usual, this is a pretty rock-centric list with a little bit of twang thrown in.
  • I kept finding myself wanting to either use the word “raging” or “haunting.”

OK, I’ll see you in 2015—hopefully sometime prior to December.

Continue reading

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Meanwhile, Elsewhere on the Web: My “Bay Area Mixtape 2013″ featured on the official Avenue Live blog

Art Elliot performing in Berkeley at a show--full disclosure--that my band also played at. That has no bearing on the fact that his song "Postcard" has become my favorite local track of 2013.

Art Elliot performing in Berkeley at a show that–full disclosure–my band also played at. That has no bearing on the fact that his song “Postcard” has become my favorite local track of 2013.

I meant to do a post as part of my End of the Year Rankstravaganza specifically focused on Bay Area bands and musicians. Of course, I didn’t get around to it. As it got later and later in January, I said: “Bah! Why bother? At this point, who is going to be interested in hearing what I thought about last year’s local music?”

Avenue Live, that’s who! Avenue Live is a Foster City-based start-up that is preparing to release an app that lets performers, venue operators, bloggers and other music geeks create their own interactive radio streams. The folks behind this service have been reaching out to people they think will help the app catch on, and they have evidently mistaken me for someone with influence. At any rate, they asked me to submit a list of my favorite songs of 2013 by Bay Area artists for their blog, and I obliged them because I love spreading the word about good music. Continue reading

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Rankstravaganza 2013: My 5 Favorite Albums of the Year

Cloud Cult, The Independent, SF, 05.09.13

Cloud Cult performing at The Independent in San Francisco back in May. More on the concert here.

I only did a countdown of five albums this year, rather than what has been the customary 15. Beyond these five, I wasn’t convinced that I truly loved the other albums I listened to in 2013. I might end up loving them, but the jury’s still out.

The verdict is in on these five, though. I’m confident I’ll continue to return to them regularly in coming years. They’re full of strong songwriting and make cohesive statements as a whole. Two were unexpected releases from legendary artists who’d seemingly called it quits. All are at least somewhat artsy and experimental while keeping the proceedings somewhat poppy and accessible. Because that’s what I go for.

If that’s what you go for, too, then you should totally be listening to these albums: Continue reading

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Rankstravaganza 2013: My 30 Favorite Songs of the Year

SPOILER ALERT: This talented southern singer-songwriter turned out my No. 1 song of 2013.

SPOILER ALERT: This talented southern singer-songwriter turned out my No. 1 song of 2013. (via)

Once again, I’m turning this in a few days past deadline. No matter! It’s still not too late to celebrate 2013, which in my musical estimation was a year of songwriters singing about specific places, of longer-than-long-awaited follow-ups, of gorgeous melodies, of Bowie-esque glam rock and of actual Bowie. There’s lots of Americana, some blistering noise rock, several Bay Area artists and very little rap (sorry!) to be found on this year’s countdown. So, you know, the usual. I hope you enjoy these tracks half as much as I did.

And away we go! Continue reading

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Racking Up Plays: “I’ll Trade You Money for Wine” by Robbie Fulks

Robbie Fulks

The camera angle helps, but having shook the man’s hand after a show, Robbie Fulks really is incredibly tall even to a 6’2″ guy like me (via Bloodshot Records).

These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with it and listen because you’re a good friend.

“I’ll Trade You Money for Wine,” Robbie Fulks

There’s songwriting, and then there’s masterful songwriting. Chicago-based singer Robbie Fulks has done everything from major-label roots rock to slick countrypolitan to traditionalist honky-tonk, but through it all, his songwriting never fails to do anything less than impress. The man can tell a complete story with compelling characters, wit, wonderful turns of phrase, meter, melody and rhyme in less than four minutes. On his 12th album, Gone Away Backward, there’s very little to distract from Fulks’ mastery of songcraft–just his twangy tenor voice and a small gaggle of acoustic instruments. The opening, for example, features nothing more than some Carter Family picking and scratchy fiddle that can’t help but recall the last time Fulks led off an album with a stark, Appalachian-folk morality tale, “In Bristol Town One Bright Day” off 2003’s Couples in Trouble. “I’ll Trade You Money for Wine” traffics in the same sort of ominous lyrical imagery, but this time it’s being delivered by the town drunk rather than a prophetic narrator, and morality gets turned on its head. Continue reading

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The Annotated Decemberists No. 12: “Cocoon”

The Annotated DecemberistsPerhaps no band’s lyrics better lend themselves to pseudo-academic analysis than those of The Decemberists. The Annotated Decemberists is an attempt to puzzle through the Portland, Oregon, group’s entire catalog song by song—examining all the obscure vocabulary, historical references and poetic subtext—or go crazy trying.

This one is like a dream you can’t quite remember upon waking, but once you fall back asleep you’re instantly back in the moment. If asked, I couldn’t hum you more than one line of this song, but in the context of the album, it’s instantly familiar and comforting. Slow and somber, the lyrics are impressionistic, aside from a clear, early reference to the victims of the eruption of Mount Vesuvius—a tragedy that may or may not keep coming up throughout the song and may or may not serve as a stand-in for the tragedy of 9/11. Who knows? The meaning of a dream is rarely overt. More likely, you’re left with just the feelings it inspired—and everyone you describe it to is going to have a different interpretation. Continue reading

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Report From the Show: Pink Martini at Stern Grove, SF, 08.11.13

Pink Martini

Pink Martini on stage at Stern Grove in San Francisco, 08.11.13.

There may be other shows where a 12-piece band performs songs in English, French, Spanish, Italian and I think Japanese. There may be other shows where you’ll find an inordinate number of audience members wearing pink feather boas and playing air piano. But, I guarantee, if the show opens with an arrangement of Ravel’s “Bolero,” you are at a Pink Martini concert. Continue reading

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Halftime Report: My 15 favorite songs of 2013 thus far

John Linnell and John Flansburgh are still They Might Be Giants. (via theymightbegiants.com)

They might be No. 1.

Weird, right? The year’s already half over. I say this every July, but this year really and truly has been zipping by even faster than the normal zippiness.

So far in 2013, I’ve only made a couple of new discoveries that have me truly excited, but some old favorites have been doing a standup job of releasing new, quality songs. Here are the 15 tracks—by standbys and ingenues—that I’ve been listening to most. Despite my new-found status as a dad, I’d like to believe it’s not too Dad Rock-oriented…but there’s definitely a hint of that going on. It’s OK. The world probably needs more decent Dad Rock blogs, right?

Without further ado… Continue reading

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Racking Up Plays: “Ohio” by Patty Griffin feat. Robert Plant

Did I also mention how much I enjoy Patty Griffin's songwriting contributions to the Dixie Chicks oeuvre? She was a big part of what made Home such a good album.

Did I also mention how much I enjoy Patty Griffin’s songwriting contributions to the Dixie Chicks oeuvre? She was a big part of what made “Home” such a good album (via New West Records).

These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with it and listen because you’re a good friend.

“Ohio,” Patty Griffin feat. Robert Plant

Patty Griffin—of whom I’ve been a fan since those glory days of the mid-’90s when alternative rock stations were willing to play an acoustic demo like “Every Little Bit“—says that “Ohio” was inspired by a Toni Morrison novel. We can only assume Griffin means Beloved, seeing as how her song is quite clearly about fugitive slaves making their way across the Ohio River to freedom. She achieves this with just about 100 well-chosen words (some of which are repeated later). Most of the lyrics are like a set of instructions, a la the Underground Railroad, punctuated only by the occasional bit of powerful poetry and one stinger of a final line. Continue reading

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