Sign protesting gentrification in San Francisco’s Mission District. [photo by ClockworkGrue via Flickr]
When SNL starts tackling an issue, you know it’s gone mainstream. Perhaps post-mainstream. Such is the case with gentrification, which is clearly on the minds of people around the country as the economy picks up steam. The subject keeps popping up like yet another farm-to-table gastropub.
Here are two videos addressing gentrification, plus eight more planning-related articles that have captured my attention over the past few days.
1. Answer: It Stinks
“What It’s Like To Lose Your Home To Gentrification” [buzzfeed.com]
I knew I recognized the young gentleman in this video. He was one of the neighborhood kids captured on camera last year in a sorta-heated argument with a group of Dropbox employees, who had reserved a Mission District soccer field that historically had been used for pickup games—thus personifying San Francisco’s growing culture clash. In this Buzzfeed-produced video, the young gentleman—his name is Kai—takes you on a short tour of the Mission District. Contrary to the title, it doesn’t really delve too deeply into how Kai felt about his family getting evicted from their apartment. It’s basically him pointing at various upscale bars/salons/condos and saying, “That didn’t used to be here.” Continue reading
Posted in Linkage, Urban Planning
Tagged Ann Arbor, bicycle lanes, branding, comedy, gentrification, high-speed rail, Las Vegas, Mission District, Saturday Night Live, traffic, zoning
Construction of the AvéVista Apartments affordable housing complex in Oakland proceeds.
I was spending some time walking through my old neighborhood in Oakland near Lake Merritt on Wednesday, when I came across something I don’t think I ever saw in the more than three years I lived there: a big ol’ construction crane. Continue reading
Perhaps you loyal readers didn’t notice all the changes
around here over the last 24 hours, but it’s a new day for All The City Lights! Being strictly a music blog is so streets behind
. In order to stay streets ahead, I am going to be writing about literal streets. Dovetailing with my current studies in urban planning, this blog will now include posts about the issues facing cities, and their challenges and successes.
I’m going to start out simply, with a roundup of links to recent articles touching on planning topics. In fact, depending on how intensive my classes are this semester, simple link roundups might be the only type of post made to this blog for the foreseeable future. That’s OK, because there is so much going on in the world of planning right now that there is no shortage of fascinating stories. For those of you who are unfamiliar with the field, once you get acquainted and start looking, you start noticing planning everywhere. Like, literally, 10 percent of the stories on NPR are planning-related. Continue reading
Posted in Linkage, Urban Planning
Tagged BART, branding, dead malls, Detroit, gentrification, industrial real estate, No Pants Subway Ride, San Francisco, tax breaks, traffic
I basically haven’t posted anything new to this blog since my 2013 year-end roundup. It’s been a busy year full of new challenges and responsibilities, but I’ve continued to listen to new music and compulsively keep track of what got played the most. This year’s list begins and ends with a pair of unlikely (but long-overdue) reunions from bands that haven’t released albums in nearly a decade.
A few other trends on display:
- The feminist in me is happy to report that women vocalists are represented in half of the Top 10—assuming you count Neko Case on The New Pornographers’ track (and why wouldn’t you?)—including the No. 1 and No. 2 spots.
- I managed to sneak in one hip-hop track and two electronic/dance tracks, but, as usual, this is a pretty rock-centric list with a little bit of twang thrown in.
- I kept finding myself wanting to either use the word “raging” or “haunting.”
OK, I’ll see you in 2015—hopefully sometime prior to December.
Posted in End of the Year Rankstravaganza, Local Bands, Music, Obligatory List-making
Tagged Against Me!, Ages and Ages, Andrew Bird, Beck, Best Songs, Best Songs of 2014, Black Prairie, Bleachers, Bob Mould, Bruce Springsteen, Conor Oberst, Death From Above, Jack White, Jungle, Lydia Loveless, Mimicking Birds, Nickel Creek, OK Go, Pixies, Rankstravaganza, Robyn, Röyksopp, Sharon Van Etten, Sims, Spoon, Sturgill Simpson, The Black Keys, The Family Crest, The Hold Steady, The New Pornographers, The War on Drugs, Ty Segall, Weezer, Wye Oak
Art Elliot performing in Berkeley at a show that–full disclosure–my band also played at. That has no bearing on the fact that his song “Postcard” has become my favorite local track of 2013.
I meant to do a post as part of my End of the Year Rankstravaganza specifically focused on Bay Area bands and musicians. Of course, I didn’t get around to it. As it got later and later in January, I said: “Bah! Why bother? At this point, who is going to be interested in hearing what I thought about last year’s local music?”
Avenue Live, that’s who! Avenue Live is a Foster City-based start-up that is preparing to release an app that lets performers, venue operators, bloggers and other music geeks create their own interactive radio streams. The folks behind this service have been reaching out to people they think will help the app catch on, and they have evidently mistaken me for someone with influence. At any rate, they asked me to submit a list of my favorite songs of 2013 by Bay Area artists for their blog, and I obliged them because I love spreading the word about good music. Continue reading
Posted in Bay Area Music, End of the Year Rankstravaganza, Local Bands, Music, Obligatory List-making
Tagged Art Elliot, ATCL elsewhere on the Web, Best Songs of 2013, Everyone is Dirty, Great Lakes Myth Society, local bands, local local local, Maurice Tani, Myron & E, Painted Palms, Rankstravaganza, Shannon and the Clams, Thao & The Get Down Stay Down, The Dodos, Thee Oh Sees, Vandella
Cloud Cult performing at The Independent in San Francisco back in May. More on the concert here.
I only did a countdown of five albums this year, rather than what has been the customary 15. Beyond these five, I wasn’t convinced that I truly loved the other albums I listened to in 2013. I might end up loving them, but the jury’s still out.
The verdict is in on these five, though. I’m confident I’ll continue to return to them regularly in coming years. They’re full of strong songwriting and make cohesive statements as a whole. Two were unexpected releases from legendary artists who’d seemingly called it quits. All are at least somewhat artsy and experimental while keeping the proceedings somewhat poppy and accessible. Because that’s what I go for.
If that’s what you go for, too, then you should totally be listening to these albums: Continue reading
Posted in End of the Year Rankstravaganza, Music, Obligatory List-making
Tagged Best Albums, Best Albums of 2013, Best of 2013, Cloud Cult, David Bowie, My Bloody Valentine, Patty Griffin, Queens of the Stone Age, Rankstravaganza
SPOILER ALERT: This talented southern singer-songwriter turned out my No. 1 song of 2013. (via)
Once again, I’m turning this in a few days past deadline. No matter! It’s still not too late to celebrate 2013, which in my musical estimation was a year of songwriters singing about specific places, of longer-than-long-awaited follow-ups, of gorgeous melodies, of Bowie-esque glam rock and of actual Bowie. There’s lots of Americana, some blistering noise rock, several Bay Area artists and very little rap (sorry!) to be found on this year’s countdown. So, you know, the usual. I hope you enjoy these tracks half as much as I did.
And away we go! Continue reading
Posted in End of the Year Rankstravaganza, Music, Obligatory List-making
Tagged Amanda Shires, Arcade Fire, Best Songs, Best Songs of 2013, Best Tracks of 2013, Cloud Cult, David Bowie, Dessa, Foals, Free Energy, Janelle Monae, Jason Isbell, Josh Ritter, King Khan and the Shrines, Low, Maurice Tani, My Bloody Valentine, Of Montreal, Okkervil River, Patty Griffin, Phoenix, Queens of the Stone Age, Rankstravaganza, Robbie Fulks, Shannon and the Clams, Son Volt, Steve Earle, Stornoway, Superchunk, Thao & The Get Down Stay Down, Thee Oh Sees, They Might Be Giants, Wavves, Waxahatchee
The camera angle helps, but having shook the man’s hand after a show, Robbie Fulks really is incredibly tall even to a 6’2″ guy like me (via Bloodshot Records).
These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with it and listen because you’re a good friend.
“I’ll Trade You Money for Wine,” Robbie Fulks
There’s songwriting, and then there’s masterful songwriting. Chicago-based singer Robbie Fulks has done everything from major-label roots rock to slick countrypolitan to traditionalist honky-tonk, but through it all, his songwriting never fails to do anything less than impress. The man can tell a complete story with compelling characters, wit, wonderful turns of phrase, meter, melody and rhyme in less than four minutes. On his 12th album, Gone Away Backward, there’s very little to distract from Fulks’ mastery of songcraft–just his twangy tenor voice and a small gaggle of acoustic instruments. The opening, for example, features nothing more than some Carter Family picking and scratchy fiddle that can’t help but recall the last time Fulks led off an album with a stark, Appalachian-folk morality tale, “In Bristol Town One Bright Day” off 2003’s Couples in Trouble. “I’ll Trade You Money for Wine” traffics in the same sort of ominous lyrical imagery, but this time it’s being delivered by the town drunk rather than a prophetic narrator, and morality gets turned on its head. Continue reading
Perhaps no band’s lyrics better lend themselves to pseudo-academic analysis than those of The Decemberists. The Annotated Decemberists is an attempt to puzzle through the Portland, Oregon, group’s entire catalog song by song—examining all the obscure vocabulary, historical references and poetic subtext—or go crazy trying.
This one is like a dream you can’t quite remember upon waking, but once you fall back asleep you’re instantly back in the moment. If asked, I couldn’t hum you more than one line of this song, but in the context of the album, it’s instantly familiar and comforting. Slow and somber, the lyrics are impressionistic, aside from a clear, early reference to the victims of the eruption of Mount Vesuvius—a tragedy that may or may not keep coming up throughout the song and may or may not serve as a stand-in for the tragedy of 9/11. Who knows? The meaning of a dream is rarely overt. More likely, you’re left with just the feelings it inspired—and everyone you describe it to is going to have a different interpretation. Continue reading
Pink Martini on stage at Stern Grove in San Francisco, 08.11.13.
There may be other shows where a 12-piece band performs songs in English, French, Spanish, Italian and I think Japanese. There may be other shows where you’ll find an inordinate number of audience members wearing pink feather boas and playing air piano. But, I guarantee, if the show opens with an arrangement of Ravel’s “Bolero,” you are at a Pink Martini concert. Continue reading