For the last 45 days, I’ve been participating in another Blue Sky music challenge: #UncoolTwo50. Organized by the account @uncooltwo50.bsky.social, the idea is to is…
For me, 2005 was an entirely new era for the discovery of and interaction with music—establishing habits and patterns that I basically still follow today. Many of those tracks I added in those first few months of the iPod age are still among my most played and most beloved songs.
This list is partly an appreciation, partly a primer for folks who may grow to appreciate P.D.Q. Bach given some options for staring points, and partly as way for me to process the loss of a truly gifted musician and humorist.
When I tally up my most-played artists of the last year, the vast majority of my Top 10 is basically indistinguishable from my Top 10 most-payed artists from 20 years ago. Is it my fault they insist on still putting out strong, fresh material?
If you’re a Dad Rock and ’90s Nostalgia aficionado, have I got 30 tunes for you to check out.
Diverse influences mix together to create genre-defying sounds, particularly laid-back grooves that conjure up carefree summer afternoons hanging with friends? That’s the Oakland sound in 2022.
I miiiiight have mentioned it before, but Bandcamp Fridays have been a great excuse for me to reconnect with local music over the last 22…
On the whole, I’d say these songs are a hopeful bunch, rooted in the possibility of muddling through somehow and reclaiming a semblance of fellowship, cohesion, progress, and well-being. Perhaps 2022 will deliver on that promise.
Being There still feels monumental 25 years later. It also announced the arrival of Wilco: The Band That Jams and Takes Risks. Risks like recording a double album, opening it with a 45-second drums-and-feedback freakout, and then spending the next 76 minutes alternating between ennui-filled ballads and surreal-nonsense-filled bangers.
What can one say about 2020 other than, “Good riddance”? I can think of one thing: There was some damn good music released this year. Is it because 2020 was a particularly fruitful year, with talented artists who had nothing else to do but write and record new music?