OK, so you might argue the Oakland alt-rock quartet is overplaying the “endearingly awkward” schtick. But those melodic riffs? The casual Teenage Fanclub mention in album PR write-up? The goofy DIY music videos? That genuinely funny bio (“internationally ignored song stylists”)? Objection overruled!
Diverse influences mix together to create genre-defying sounds, particularly laid-back grooves that conjure up carefree summer afternoons hanging with friends? That’s the Oakland sound in 2022.
I meant to do a post as part of my End of the Year Rankstravaganza specifically focused on Bay Area bands and musicians. Of course,…
These are the posts where I gush about some song that I’ve got a huge crush on at the moment, and you put up with…
It sounded like a perfectly dark, gruesome way to spend the Friday before Halloween, so my wife and I headed to The Starry Plough in Bekeley. (Spending an evening listening to musicians sing about people killing each other was actually her idea, which is just one more reason that I love her.)
It was the type of night where “blues” is spelled “blooze,” the pop is powered and the band asks for as much reverb as the…
I’ve only had a year and some change to really immerse myself in the Bay Area music scene, and I’m still feeling my way around…
You didn’t think I was doing this blog just for yucks, did you? No, I’m in it for the bucks. Ideally, this is a showcase…
In its current incarnation as a blog for Paste Magazine, Crawdaddy is bringing one of San Francisco’s most promising and noteworthy rock bands—The Stone Foxes, fresh off a triumphant set at Outside Lands—to The Starry Plough’s intimate space.
I’m not the only one taking notice. “Speeding Ticket and a Valentine” appeared last week at No. 38 on Billboard’s Heatseekers Albums chart.