{"id":2580,"date":"2015-12-31T15:33:00","date_gmt":"2015-12-31T23:33:00","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=2580"},"modified":"2019-07-17T00:22:49","modified_gmt":"2019-07-17T07:22:49","slug":"rankstravaganza-2015-my-25-favorite-songs-of-the-year","status":"publish","type":"post","link":"https:\/\/billchapin.net\/allthecitylights\/2015\/12\/rankstravaganza-2015-my-25-favorite-songs-of-the-year\/","title":{"rendered":"Rankstravaganza 2015: My 25 favorite songs of the year"},"content":{"rendered":"<p><figure id=\"attachment_2582\" aria-describedby=\"caption-attachment-2582\" style=\"width: 450px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2015\/12\/watkins_family_hour-lowres.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2582\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2015\/12\/watkins_family_hour-lowres.jpg\" alt=\"The Watkins Family Hour gang was responsible for my favorite track of the year. Photo by Roman Cho, courtesy of Sacks and Co.\" width=\"450\" height=\"369\" srcset=\"https:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2015\/12\/watkins_family_hour-lowres.jpg 450w, https:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2015\/12\/watkins_family_hour-lowres-300x246.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-2582\" class=\"wp-caption-text\">The Watkins Family Hour gang was responsible for my favorite track of the year. [photo by Roman Cho, courtesy of <a href=\"http:\/\/sacksco.com\/pr\/watkins_family_hour.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sacks &amp; Co<\/a>]<\/figcaption><\/figure>Ha! You thought this blog was done for. Surprise! I\u2019m back. (Fair warning, though: There might not be another post until New Year\u2019s Eve 2016. I am, however, staying somewhat active with posting both music- and planning-related stuff on this site\u2019s <a href=\"\u201chttps:\/\/www.facebook.com\/atclblog\u201d\">Facebook page<\/a>, though. Check \u2018er out.)<\/p>\n<p>Only 25 songs this year (*insert frowny emoticon here*), because I didn\u2019t feel like I listened to enough new music in 2015 to warrant the <a href=\"http:\/\/billchapin.net\/allthecitylights\/tag\/best-songs\/\">usual 30<\/a>. (Grad school, it seems, has a way of eating into not just blogging time but music-exploration time.) I feel strongly about these 25, though. They are all imminently listenable songs that any other aging wannabe hipsters out there should be able to get behind. You\u2019ll find plenty of Americana and unobjectionable modern indie pop, a little bit of garage punk, some female-fronted \u201890s grunge throwbacks, and (this being 2015, after all) some trendy \u201880s synthpop throwbacks. Soooo much synthpop out there. If only synthpop could somehow counteract carbon emissions, climate change would be as quaint a concern as the hole in the ozone layer. (The hole in the ozone layer isn\u2019t a concern anymore, right? I\u2019m just assuming because I haven\u2019t heard anything about it in 20 years.)<!--more--><\/p>\n<p>Well, that was a strange tangent. Here are the songs:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify%3Auser%3A1212188094%3Aplaylist%3A3JuyoHJzWTACdHSxdyToVz\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>25. \u201cSend Me Home,\u201d <a href=\"http:\/\/www.murderbydeath.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Murder By Death<\/a><\/strong><\/p>\n<p>Clearly the best thing to come out of Bloomington, Indiana, since Johnny Cougar, Murder By Death was always one of those bands of which I knew I <i>should<\/i> be a huge fan, but I never quite got around to giving them a serious listen. This song finally got me into the group and confirmed that, yup, I really should have been listening to its brand of gothic alt-country for the last decade.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bQsTrOL732c?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>24. \u201cThen Came the Morning,\u201d <a href=\"http:\/\/www.thelonebellow.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Lone Below<\/a><\/strong><\/p>\n<p>I know these are troubling times we live in and folks are struggling, but everything is going to turn out OK. How do I know? Because this song exists. Brooklyn singer-songwriter Zach Williams\u2019 project gets tagged as alt-country, too, but it\u2019s as lush and stirring as Murder By Death is dark and brooding. You can practically feel the dawn breaking on your face when that sol-me-re-do-do motif kicks in.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/a-lP1lMkoZY?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>23. \u201cShine a Different Way,\u201d <a href=\"http:\/\/www.pattygriffin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Patty Griffin<\/a><\/strong><\/p>\n<p>The Nashville folksinger\u2019s latest album is a darker affair than her last, which was one of my <a href=\"http:\/\/billchapin.net\/allthecitylights\/2014\/01\/rankstravaganza-2013-my-5-favorite-albums-of-the-year\/\">favorites of 2013<\/a>, but this track would easily have fit in on that previous effort. This is a delicate song, full of evocative, drawn-out suspension chords played on a mandolin\u2014which, for all you non-music-theory types out there, means there\u2019s a lot of dramatic tension and release.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zV1yooTZbmY?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>22. \u201cDreams,\u201d <a href=\"http:\/\/www.beck.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Beck<\/a><\/strong><\/p>\n<p><i>Morning Phase<\/i>, Beck\u2019s Grammy-winning 2014 album, is a fine, heartfelt, slow, acoustic, immersive listen\u2014which means the songs don\u2019t really fit in at a Beck concert. (He practically apologized for playing a couple when I saw him last year.) The alt-rock icon reportedly wrote this danceable, uptempo jam so that he\u2019d have something new to perform that he wouldn\u2019t have to explain to everybody who showed up to hear \u201cLoser\u201d and \u201cWhere It\u2019s At.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/r-COVcMZL8E?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>21. \u201cUnder a Rock,\u201d <a href=\"http:\/\/www.waxahatcheemusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Waxahatchee<\/a><\/strong><\/p>\n<p>This song is such an irresistible listen that it\u2019s always a shame when it concludes after just 2 minutes and 10 seconds\u2014although its brevity is part of its charm. A female songwriter singing a great melody over some crunchy electric guitar and walloping drums technically qualifies as a \u201990s throwback, I suppose, but I don\u2019t think Alabama native Katie Crutchfield is going for nostalgia here. This is just what she thinks great rock \u2019n\u2019 roll sounds like. And she\u2019s right.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZNJOUIA_rDI?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>20. \u201cWhen I Was a Boy,\u201d <a href=\"http:\/\/jefflynneselo.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jeff Lynne\u2019s ELO<\/a><\/strong><\/p>\n<p>Electric Light Orchestra is back! Kind of. It\u2019s pretty much just Jeff Lynne in the studio, but the man can still craft an opulent Beatles-esque ballad better than anybody who wasn&#8217;t in The Beatles.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tM34A80RTv4?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>19. \u201cWhat I Want,\u201d <a href=\"http:\/\/www.butlerwills.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Will Butler<\/a><\/strong><\/p>\n<p>\u201cI know this great recipe for pony macaroni\u201d takes this year\u2019s prize for the strangest lyric. Taking a break from his day job as Arcade Fire\u2019s multi-instrumentalist and being Win Butler\u2019s brother, Will Butler\u2019s solo debut is full of this type of high-strung, edge-of-absurd art-pop.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2PlHA_pO-V0?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>18. \u201cReturn,\u201d <a href=\"http:\/\/www.strangenamesmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Strange Names<\/a><\/strong><\/p>\n<p>And this year\u2019s prize for sounding like a forgotten radio hit from 1985 goes to this Brooklyn-via-Minneapolis synthpop trio.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VfmqNGgCtXQ?list=PL-AZVk5ohKpmrme97PleS8SbhJvQ_MKz4\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>17. \u201cWhat Part of Me,\u201d <a href=\"http:\/\/www.chairkickers.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Low<\/a><\/strong><\/p>\n<p>The Minnesota band has been going strong, slow, sad, and steady for more than 20 years. As is so often the case, the vocal harmonies of Alan Sparhawk and Mimi Parker are the highlight on this new track.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/exxRz-iVBlc?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>16. \u201cMake Me Wanna Die,\u201d <a href=\"http:\/\/whitereaperusa.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">White Reaper<\/a><\/strong><\/p>\n<p>Yeeeeaaahhh! Garage punk! It\u2019s back! Deal with it and then freak out with the Commonwealth of Kentucky\u2019s frenetic contribution to the revival. This was the leadoff track to Polyvinyl Record\u2019s fantastic <a href=\"\u201chttps:\/\/www.polyvinylrecords.com\/freesampler\/\u201c\">free summer sampler<\/a>. There\u2019s one other track from that mix that managed to crack this list, but there were at least five other great tracks that I discovered. Go stream it or\u2014if you\u2019re old like me\u2014download it right now.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WtNJCTZdtzM?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>15. \u201cLaughing at the Sugar Bowl,\u201d <a href=\"http:\/\/verucasalt.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Veruca Salt<\/a><\/strong><\/p>\n<p>I\u2019m not sure anyone was really clamoring for a reunion of Chicago\u2019s third (or maybe <a href=\"\u201chttp:\/\/www.localh.com\/\u201c\">fourth<\/a> or <a href=\"\u201chttp:\/\/thebaffler.com\/salvos\/the-problem-with-music\u201d\">fifth<\/a>?) biggest participant in the Great \u201890s Alt-Rock Boom and Bust, but here it is anyway. And, like the <a href=\"https:\/\/youtu.be\/jC9AUR-iTo0\" target=\"_blank\" rel=\"noopener noreferrer\">Seether<\/a>, it\u2019s pointless to fight it; give in and enjoy the female-fronted, grunge-tastic ride.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bMeYDS9kZcE?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>14. \u201cFind Yourself,\u201d <a href=\"http:\/\/www.jaccogardner.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jacco Gardner<\/a><\/strong><\/p>\n<p>And here is the other track from that Polyvinyl sampler. Gardner\u2019s music is spacey, psychedelic and technically Dutch (though the lyrics are in English). Far out.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YDSiImxP6Vw?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>13. \u201cBird of Prey,\u201d <a href=\"http:\/\/natalieprassmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Natalie Prass<\/a><\/strong><\/p>\n<p>Can bubblegum be bittersweet? This chanteuse out of Richmond, Virginia, says yes! Yes, you can combine Feist and Dusty Springfield and come out sounding like a genius. Prass displays real talent in both singing and songwriting, but it\u2019s the horn and string arrangements (by <a href=\"\u201chttp:\/\/matthewewhite.tumblr.com\/\u201c\">Matthew E. White<\/a> and <a href=\"\u201chttp:\/\/treypollard.com\/\u201c\">Trey Pollard<\/a>, respectively) that take things to a whole other level.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HXJJSPUpAQE?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>12. \u201cEmpty Threat,\u201d <a href=\"http:\/\/www.chvrch.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Chvrches<\/a><\/strong><\/p>\n<p>There was no shortage of catchy indie synthpop in 2015, but nobody made retro quite so relevant as the Scottish trio. A great video featuring goths at the waterpark doesn\u2019t hurt, either.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KNHxwSp-6Og?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>11. \u201cGetting Ready to Get Down,\u201d <a href=\"http:\/\/www.joshritter.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Josh Ritter<\/a><\/strong><\/p>\n<p>Josh Ritter is incapable of making a <i>bad<\/i> album, but his latest, <i>Sermon on the Rocks<\/i>, displays a level of engagement and effort that hasn\u2019t been totally evident with his last few efforts. Take this song. The lyrics are a stream of 1,000-syllable-a-minute rhyming patter that still manage to a) tell a moving story of rebellious young woman returning to her puritanical, repressive hometown, b) execute some clever wordplay and humorous zingers, and c) function as a party anthem. That right there is a miracle.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HnQ89jZvZD0?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>10. \u201cGone,\u201d <a href=\"http:\/\/www.jrjrmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jr. Jr.<\/a><\/strong><\/p>\n<p>Until this year, the only negative thing most people could say about the amiable Detroit indie pop duo Dale Earnhardt Jr. Jr. was that the band had a terrible name. The group shut down that vein of criticism when it released this single and announced it was <a href=\"\u201chttp:\/\/www.stereogum.com\/1816322\/dale-earnhardt-jr-jr-change-name-to-jr-jr\/news\/\u201c\">dropping the \u201cDale Earnhardt\u201d<\/a> (mostly because they were embarrassed about and the requests they kept getting for autographs for terminally ill NASCAR fans, not to mention all the confused racing enthusiasts who kept showing up at concerts).The name may be different, but the song is more of what Daniel Zott and Joshua Epstein have always done well: charming, danceable, harmonious indie pop.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/nq0mpgHNapc?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>9. \u201cNothing Without Love,\u201d <a href=\"http:\/\/nateruess.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nate Ruess<\/a><\/strong><\/p>\n<p>The frontman of <a href=\"http:\/\/theformat.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Format<\/a> and <a href=\"http:\/\/www.ournameisfun.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">fun.<\/a> has always been unapologetically schmaltzy, but for his solo debut he aimed for full on adult-contemporary, stadium-ready balladry. If that means a bit less Freddy Mercury and a bit more Peter Cetera, well, dammit, I\u2019m on board. Take me to your castle far away, Nate.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ssVvkfcL9HI?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>8. \u201cCream on Chrome,\u201d <a href=\"http:\/\/www.ratatatmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ratatat<\/a><\/strong><\/p>\n<p>Oh, great, another damn Brooklyn-based, indie electronica fusion duo. You fucking hipsters can forget it! You\u2019re not seducing me with your \u2026 irresistible beat. And instantly memorable riffs. Nope. Nope nope nope.<\/p>\n<p><em>*struts down the street listening to &#8220;Cream on Chrome,&#8221; feeling way cooler than he looks*<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xlcywgEMuGI?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>7. \u201cAnother Loser Fuck Up,\u201d <a href=\"http:\/\/www.christopherowensonline.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Christopher Owens<\/a><\/strong><\/p>\n<p>Nothing very mysterious here. Just a good ol\u2019 slice of power pop with a self-effacing, profane title by the former frontman for <a href=\"https:\/\/www.facebook.com\/GIRLSsf\" target=\"_blank\" rel=\"noopener noreferrer\">Girls<\/a> (the San Francisco band, not the TV show).<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xpV0AvTTZrA?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>6. \u201cPrice Tag,\u201d <a href=\"http:\/\/www.sleater-kinney.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sleater-Kinney<\/a><\/strong><\/p>\n<p>The legendary Riot Grrrls of the Pacific Northwest launch an angular punk salvo against the Walmart-ization of the American economy and our tendency to not think about costs\u2014fiscal and societal. It\u2019s a rousing start to a solid reunion album.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/TWc6knXULsw?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>5. \u201cMystery,\u201d <a href=\"http:\/\/www.boxedinmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Boxed In<\/a><\/strong><\/p>\n<p>All I know about Boxed In is what I just looked up on <a href=\"https:\/\/en.wikipedia.org\/wiki\/Boxed_In\" target=\"_blank\" rel=\"noopener noreferrer\">Wikipedia<\/a>\u2014it\u2019s a British dude who used to be in a band called Keith\u2014and that I listened to this tune and it\u2019s syncopated piano rhythms an awful lot in 2015.<\/p>\n<p><iframe loading=\"lazy\" title=\"Boxed In - Mystery (Official Music Video)\" width=\"769\" height=\"433\" src=\"https:\/\/www.youtube.com\/embed\/u4PAOG83nh8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>4. \u201cPhone in a Pool,\u201d <a href=\"https:\/\/www.benfolds.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ben Folds<\/a> [feat. <a href=\"http:\/\/ymusicensemble.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">yMusic Ensemble<\/a>]<\/strong><\/p>\n<p>How good are Ben Folds\u2019 songwriting abilities? So good that I can overlook the fact that the chorus contains the words \u201cY\u2019all knows what I means.\u201d This song was allegedly <a href=\"http:\/\/blogs.wsj.com\/speakeasy\/2015\/07\/13\/ben-folds-ymusic-phone-in-a-pool\/\" target=\"_blank\" rel=\"noopener noreferrer\">inspired by true events<\/a>. The Nashville-based piano man got so fed up with constant calls that he tossed his cell phone in a swimming pool, only to have Ke$ha (yes, that Ke$ha) dive in and rescue it for him.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zNIFzM00pNc?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>3. \u201cPickled Ginger,\u201d <a href=\"http:\/\/wilcoworld.net\/#!\/\" target=\"_blank\" rel=\"noopener noreferrer\">Wilco<\/a><\/strong><\/p>\n<p>Clocking in only slightly longer than the Waxahatchee song at No. 21, this song was first featured on the <i>Parks and Recreation<\/i> Season 6 finale, as performed by the fictional band <a href=\"http:\/\/parksandrecreation.wikia.com\/wiki\/Land_Ho!\" target=\"_blank\" rel=\"noopener noreferrer\">Land Ho!<\/a>, with Jeff Tweedy playing the fictional frontman. Nerds everywhere were delighted when Land Ho!\u2019s fuzzed out guitars, falsetto vocals, and pure-\u201870s-trash stylings showed up on the <a href=\"http:\/\/www.avclub.com\/article\/wilco-just-released-surprise-album-called-star-war-222458\" target=\"_blank\" rel=\"noopener noreferrer\">surprise album<\/a> Wilco released this summer. Tweedy has always been good at treading that line which separates a goofy lark from a rock anthem, but with &#8220;Pickled Ginger&#8221; he has perfected the act.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wOCMEXG8z8g?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>2. \u201cForeign Object,\u201d <a href=\"http:\/\/www.mountain-goats.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Mountain Goats<\/a><\/strong><\/p>\n<p>Reasons why this is the best track off John Darnielle\u2019s better-than-expected concept album about the regional wrestlers he idolized as a kid: a) the line, \u201cI personally will stab you in the eye with a foreign object\u201d; b) all dat baritone sax. One, two, three, match over!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JQNv2sY7Ge0?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"420\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>1. \u201cSteal Your Heart Away,\u201d <a href=\"http:\/\/watkinsfamilyhour.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Watkins Family Hour<\/a><\/strong><\/p>\n<p>The Watkins Siblings have done it again. <a href=\"http:\/\/billchapin.net\/allthecitylights\/2014\/12\/rankstravaganza-2014-my-30-favorite-songs-of-the-year\/\">Last year<\/a> they sat atop my list as members of the reunited <a href=\"http:\/\/nickelcreek.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nickel Creek<\/a>. This year, Sara and Sean took their long-running variety show at L.A.\u2019s <a href=\"http:\/\/www.largo-la.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Largo<\/a> nightclub and turned it into a studio album with help from their house band and <a href=\"http:\/\/www.fiona-apple.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fiona Apple<\/a>. <i>Watkins Family Hour<\/i> is an all-covers affair, specializing in under-appreciated gems (like this deep cut from a not-terribly-beloved <a href=\"http:\/\/www.allmusic.com\/album\/say-you-will-mw0000392278\" target=\"_blank\" rel=\"noopener noreferrer\">2003 Fleetwood Mac album<\/a>) and making them sound like folksy, country standards ready for the next broadcast of <i>A Prairie Home Companion<\/i>. The players are all phenomenally talented, of course, and that pedal steel solo is pretty dang good, but this song belongs to Sara Watkins and her clear, impassioned vocals.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DkRIliiC_Lw?rel=0\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"https:\/\/billchapin.net\/allthecitylights\/2015\/12\/rankstravaganza-2015-my-25-favorite-songs-of-the-year\/\" myshare_title=\"Rankstravaganza 2015: My 25 favorite songs of the year\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"https:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>Ha! You thought this blog was done for. Surprise! I\u2019m back. (Fair warning, though: There might not be another post until New Year\u2019s Eve 2016.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2582,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,836,4],"tags":[830,425,42,893,910,908,904,897,902,896,63,599,777,894,903,906,772,15,907,909,899,895,200,901,912,808,900,74,898,911],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2580"}],"collection":[{"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=2580"}],"version-history":[{"count":11,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2580\/revisions"}],"predecessor-version":[{"id":3571,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2580\/revisions\/3571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media\/2582"}],"wp:attachment":[{"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=2580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=2580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=2580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}