{"id":3103,"date":"2020-12-30T01:06:02","date_gmt":"2020-12-30T09:06:02","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=3103"},"modified":"2022-01-02T00:10:27","modified_gmt":"2022-01-02T08:10:27","slug":"rankstravaganza-my-30-favorite-songs-of-2020","status":"publish","type":"post","link":"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-30-favorite-songs-of-2020\/","title":{"rendered":"Rankstravaganza: My 30 Favorite Songs of 2020"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"645\" height=\"412\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/12\/collage-1.jpg\" alt=\"Collage of screencaps of videos featured in post.\" class=\"wp-image-3104\" srcset=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/12\/collage-1.jpg 645w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/12\/collage-1-300x192.jpg 300w\" sizes=\"(max-width: 645px) 100vw, 645px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">What can one say about 2020 other than, &#8220;Good riddance&#8221;? I can think of one thing: There was some damn good music released this year. Is it because 2020 was a particularly fruitful year, with talented artists who had nothing else to do but write and record new music? Or was it because I just had more time to explore new music? Probably a combination of both, to be honest.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"Bandcamp Fridays (opens in a new tab)\" href=\"https:\/\/isitbandcampfriday.com\/\" target=\"_blank\">Bandcamp Fridays<\/a>, during which the online retailer foregoes its usual fees and gives 100% of each sale directly the artist, has been a great inspiration for me in the time of COVID. It&#8217;s an easy way to directly support local artists, and an excuse for me to peruse the new releases with an Oakland tag at least once a month. I discovered a lot of independent East Bay music as a result. (Bandcamp has announced that the initiative will continue through <a rel=\"noreferrer noopener\" aria-label=\"at least May (opens in a new tab)\" href=\"https:\/\/daily.bandcamp.com\/features\/bandcamp-fridays-2021\" target=\"_blank\">at least May<\/a>.)<\/p>\n\n\n\n<p>I also owe a debt to the fine folks at <a rel=\"noreferrer noopener\" aria-label=\"All Songs Considered (opens in a new tab)\" href=\"https:\/\/www.npr.org\/sections\/allsongs\/\" target=\"_blank\">All Songs Considered<\/a>. Several of the songs below were discovered while listening to the &#8220;<a rel=\"noreferrer noopener\" aria-label=\"New Music Friday (opens in a new tab)\" href=\"https:\/\/www.npr.org\/sections\/allsongs\/606254804\/new-music-friday\" target=\"_blank\">New Music Friday<\/a>&#8221; or &#8220;Best Music of [month]&#8221; podcasts while loading the dishwasher, which is where I spent like 20 percent of my time in 2020 (on account of everybody being home all day every day and generating significantly more dirty dishes).<\/p>\n\n\n\n<p>I hope the pipeline of good music keeps flowing into 2021. The rest of 2020 can stay right where it is, thank you very much.<\/p>\n\n\n\n<center><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify%3Auser%3A1212188094%3Aplaylist%3A23YfxaKD9hDoyzVAe02IkV\" allowtransparency=\"true\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/center>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">30. &#8220;Come Get Me,&#8221; <a href=\"http:\/\/www.nadasurf.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Nada Surf (opens in a new tab)\">Nada Surf<\/a><\/h2>\n\n\n\n<p>In contrast to the rock &#8216;n&#8217; roll&#8217;s longstanding and cliched association with car culture, it&#8217;s so refreshing whenever the New York City band celebrates an alternate mode of transportation\u2014whether it&#8217;s a <a rel=\"noreferrer noopener\" aria-label=\"bike-centric music video (opens in a new tab)\" href=\"https:\/\/youtu.be\/BoLKvWf4Fd0\" target=\"_blank\">bike-centric music video<\/a> or this sunny slice of guitar-pop, in which Matthew Caws&#8217; lyrics finds transcendence in the everyday details of boarding the subway.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DnVBJXZwqS8\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">29. &#8220;If I Can, If I May,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Mourning [A] BLKstar (opens in a new tab)\" href=\"https:\/\/mourningablkstar.com\/\" target=\"_blank\">Mourning [A] BLKstar<\/a><\/h2>\n\n\n\n<p>Released just 10 days before the death of George Floyd, the latest release by this Cleveland avant-garde collective matched the mood of the moment due to the sad fact that the tragedy was all to easy to predict. While soulful vocals and brass riffs are the opening track&#8217;s most obvious features, more important is the ominous, hissing drone that underlies the whole album. It is deliberate and symbolic of &#8220;how we as marginalised POC folk have to create beauty above the noise of an imperial country,&#8221; founder William Washington told <a rel=\"noreferrer noopener\" aria-label=\"Wire (opens in a new tab)\" href=\"https:\/\/www.thewire.co.uk\/audio\/tracks\/album-premiere-mourning-a-blkstar\" target=\"_blank\">Wire<\/a>.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IgqQhIvCU94\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">28. &#8220;This is What You Did,&#8221; <a href=\"https:\/\/thisisthekit.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"This is the Kit (opens in a new tab)\">This is the Kit<\/a><\/h2>\n\n\n\n<p>Sometimes I like to imagine that this track is the result of Kate Stables accepting a bar bet that she couldn&#8217;t make a swinging song that seamlessly combined progressive banjo picking and reedy sax solos straight out of an &#8217;80s erotic neo-noir.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JVLCDNrQfdE\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">27. &#8220;2020,&#8221; <a href=\"https:\/\/www.benfolds.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Ben Folds (opens in a new tab)\">Ben Folds<\/a><\/h2>\n\n\n\n<p>In late June, Folds directly confronted the prevailing sense that this year was shaping up to be a nightmare repeat of all the worst moments in American history with a plaintive piano ballad that asks, &#8220;What the actual fuck?&#8221;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/4znKUAMFY9A\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">26. &#8220;Never the Same,&#8221; <a href=\"https:\/\/strfkr.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"STRFKR (opens in a new tab)\">STRFKR<\/a><\/h2>\n\n\n\n<p>I&#8217;ve known of the Portland band for more than a decade, back when I was in charge of the entertainment calendar of a family newspaper and had to figure out how to list it under its former moniker that included vowels. Turns out it&#8217;s right in my psychedelic indie wheelhouse. Gonna have to go back and explore their catalog in the new year.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jWWep8p11qo\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">25. &#8220;Newspaper,&#8221; <a href=\"https:\/\/www.facebook.com\/fionaapple\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Fiona Apple (opens in a new tab)\">Fiona Apple<\/a><\/h2>\n\n\n\n<p><em>Fetch the Bolt Cutters&#8217; <\/em>first two tracks have rightly earned a lot of the  attention, but this mid-album chant about an emotionally manipulative ex and Apple&#8217;s sympathy for his next victim contains some of the most cutting lyrical moments. As a former newspaperman, I was ultra-curious about the track&#8217;s title. <a rel=\"noreferrer noopener\" aria-label=\"Turns out (opens in a new tab)\" href=\"https:\/\/www.vulture.com\/2020\/04\/fiona-apple-fetch-the-bolt-cutters-songs.html\" target=\"_blank\">Turns out<\/a> she just happened to glance at a newspaper while trying to come up with a filename for the percussion track.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HOz7VBuv0wg\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">24. &#8220;Get Me Some,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"TOKiMONSTA (opens in a new tab)\" href=\"https:\/\/tokimonsta.com\/\" target=\"_blank\">TOKiMONSTA<\/a> feat. <a rel=\"noreferrer noopener\" aria-label=\"Drew Love (opens in a new tab)\" href=\"https:\/\/www.pulserecordings.com\/clients\/drew-love\/\" target=\"_blank\">Drew Love<\/a> &amp; <a rel=\"noreferrer noopener\" aria-label=\"Dumbfoundead (opens in a new tab)\" href=\"http:\/\/www.dumbfoundead.com\/\" target=\"_blank\">Dumbfoundead<\/a><\/h2>\n\n\n\n<p>This is one effortlessly cool groove built on a jazzy piano loop and a fat synth bassline straight outta some lost <em>Talking Book <\/em>outtake. I was convinced for half the year that L.A. producer TOKiMONSTA recruited Anderson .Paak, but it&#8217;s actually Drew Love of <a href=\"https:\/\/unofficialthey.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"THEY. (opens in a new tab)\">THEY.<\/a> assisting on vocals. (Wow, is there a lot of stylized capitalization and errant punctuation in that sentence.)<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PW1HHZzeO4Q\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"carolinerose\">23. &#8220;Do You Think We&#8217;ll Last Forever?,&#8221; <a href=\"https:\/\/www.carolinerosemusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Caroline Rose (opens in a new tab)\">Caroline Rose<\/a><\/h2>\n\n\n\n<p>Making the transition from folk\/country to dance-pop can be treacherous, but it helps if you infuse everything with a sense of goofy adventurousness and also make your album a self-deprecating, <a rel=\"noreferrer noopener\" aria-label=\"conceptual satire (opens in a new tab)\" href=\"https:\/\/glidemagazine.com\/237994\/caroline-rose-announces-new-album-superstar-out-3-6-north-american-tour\/\" target=\"_blank\">conceptual satire<\/a> that pokes fun at the very notion of ambition. Take notes, <a rel=\"noreferrer noopener\" aria-label=\"Jewel (opens in a new tab)\" href=\"https:\/\/youtu.be\/zCzxas0ZZuE\" target=\"_blank\">Jewel<\/a>.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/EFImka6XdVU\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">22. &#8220;Don&#8217;t Slack,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Anderson .Paak (opens in a new tab)\" href=\"https:\/\/andersonpaak.com\/\" target=\"_blank\">Anderson .Paak<\/a> and <a href=\"https:\/\/justintimberlake.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Justin Timberlake (opens in a new tab)\">Justin Timberlake<\/a><\/h2>\n\n\n\n<p>A funny thing happened after I purchased the <em><a rel=\"noreferrer noopener\" aria-label=\"Trolls World Tour (opens in a new tab)\" href=\"https:\/\/www.universalpictures.com\/movies\/trolls-world-tour\/watch-now\" target=\"_blank\">Trolls World Tour<\/a> <\/em>soundtrack for my 7-year-old daughter: I found myself listening, independently and purposefully, to the neo-doo-wop boogie that Prince D and Branch sing on the end credits.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/v8P_go_vj00\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">21. &#8220;Neon Skyline,&#8221; <a href=\"https:\/\/andyshauf.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Andy Shauf (opens in a new tab)\">Andy Shauf<\/a><\/h2>\n\n\n\n<p>The opening track to the Canadian songwriter&#8217;s <a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#neon-skyline\">short-story-in-album-form<\/a> sets the scene and introduces the characters, and does it well, but it made the cut here because it has an imminently listenable melody that feels as familiar as an old friend who just walked through the door.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ao22GlYHBqU\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">20. &#8220;Phase,&#8221; <a href=\"https:\/\/pinegroveband.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Pinegrove (opens in a new tab)\">Pinegrove<\/a><\/h2>\n\n\n\n<p>The New Jersey band <a rel=\"noreferrer noopener\" aria-label=\"cracked a Billboard chart (opens in a new tab)\" href=\"https:\/\/www.billboard.com\/music\/Pinegrove\/chart-history\/AAA\" target=\"_blank\">cracked a Billboard chart<\/a> for the first time with this driving tune, and it&#8217;s a good representation of the band&#8217;s <a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#marigold\">vaguely emo, vaguely alt-country formula<\/a>.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ad8BabV7oLg\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">19. &#8220;Circle the Drain,&#8221; <a href=\"https:\/\/soccermommyband.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Soccer Mommy (opens in a new tab)\">Soccer Mommy<\/a><\/h2>\n\n\n\n<p>There was a certain style of feminine, melancholy folk-pop that was popular circa 1998\u2014think \u201cSonny Came Home, \u201cTorn,\u201d \u201cI Don\u2019t Want to Wait\u201d\u2014and Sophie Allison&#8217;s latest single would have fit right in with them on your local adult alternative station and\/or on stage at Lillith Fair.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DTc1w32Vbeo\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">18. &#8220;In \/ Out,&#8221; <a href=\"https:\/\/enattendantana.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"En Attendant Ana (opens in a new tab)\">En Attendant Ana<\/a><\/h2>\n\n\n\n<p>Would you look at the video for this song? Look at these cool kids living in Paris; making cool-sounding, jangly, new wave rock &#8216;n&#8217; roll like it&#8217;s 1982; filming shit on their cool retro Super 8 movie cameras. Being all young and talented and having fun. Whatever, man.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/_221ltjvras\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">17. &#8220;Just One More,&#8221; <a href=\"https:\/\/www.cahoneydrops.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The California Honeydrops (opens in a new tab)\">The California Honeydrops<\/a><\/h2>\n\n\n\n<p>Oakland&#8217;s Honeydrops have been playing\u2014from BART stations to the festival circuit\u2014for going on 13 years, but the quintet&#8217;s energetic take on retro soul\/gutbucket blues sounds much, much older (especially on the band&#8217;s latest EP, which mostly avoided studio overdubbing in favor of live, one-take recordings). My family was convinced I&#8217;d put on some obscurity from the 1950s.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/x5SxZGbU_tU\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">16. &#8220;Domino,&#8221; <a href=\"https:\/\/www.nicoleatkins.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Nicole Atkins (opens in a new tab)\">Nicole Atkins<\/a><\/h2>\n\n\n\n<p>Do you need anything more than a cool riff, a quality hook, a sultry voice, some studio time at Muscle Shoals, and members of some of the <a rel=\"noreferrer noopener\" aria-label=\"greatest rhythm sections of all time (opens in a new tab)\" href=\"https:\/\/www.singlelock.com\/new-products\/nicole-atkins-italian-ice-preorder\" target=\"_blank\">greatest rhythm sections of all time<\/a> to make a great, soulful pop song? No, no you do not.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LzbEuGrskso\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">15. &#8220;Deciphering Dreams,&#8221; <a href=\"https:\/\/www.amandashiresmusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Amanda Shires (opens in a new tab)\">Amanda Shires<\/a><\/h2>\n\n\n\n<p>When I saw Shires live in 2012 at the <a rel=\"noreferrer noopener\" aria-label=\"Freight &amp; Salvage (opens in a new tab)\" href=\"https:\/\/thefreight.org\/\" target=\"_blank\">Freight &amp; Salvage<\/a>, she came across as an unassuming, down-to-earth peddler of simple country tunes. Contrast that with the chanteuse singing about &#8220;purple falling fog&#8221; over a rollicking beat and crunching guitars (courtesy of hubby Jason Isbell). The songcraft is still just as strong, but she is following her own whims and interests wherever they might take her, and it&#8217;s truly exciting to see.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/4rUk_EFHJrQ\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">14. &#8220;The Bubbles That Rise From the Bottom,&#8221; <a href=\"https:\/\/soundcloud.com\/vjgabi\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"VJ Gabi (opens in a new tab)\">VJ Gabi<\/a> and <a rel=\"noreferrer noopener\" aria-label=\"Brant Jackson (opens in a new tab)\" href=\"https:\/\/www.facebook.com\/brantjaxson\/\" target=\"_blank\">Brant Jackson<\/a> <\/h2>\n\n\n\n<p>Of all the Bandcamp Friday discoveries I made, this is the one that rose to the top. Just some hazy, chill hip-hop with good production and interesting imagery made by two Oakland dudes with time to kill during lockdown.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BPepYFytOx4\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">13. &#8220;Dreamsicle,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Jason Isbell and the 400 Unit (opens in a new tab)\" href=\"https:\/\/www.jasonisbell.com\/\" target=\"_blank\">Jason Isbell and the 400 Unit<\/a><\/h2>\n\n\n\n<p>Speaking of Jason Isbell, here he is once again doing some absolutely brilliant, emotional gut-punching. He takes what I can only imagine is his own boyhood experience with divorce, and then contrasts it with some all-American imagery, none more potent than the chorus&#8217;s &#8220;Dreamsicle on a summer night in a folded lawn chair.&#8221; And with those 10 little words, Isbell just made everybody&#8217;s entire childhood come flooding back.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/grHKQRLq1Gw\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">12. &#8220;Gaslighter,&#8221; <a href=\"https:\/\/thechicks.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Chicks (opens in a new tab)\">The Chicks<\/a><\/h2>\n\n\n\n<p>You&#8217;d be forgiven for assuming that the erstwhile Dixie Chicks were making a political statement by putting out a single (and album) with this title. The trio probably would not have been able to if the term had not re-entered the public lexicon roundabouts Jan. 20, 2017. But it takes only one listen to realize that this is much more personal, as Natalie Maines absolutely lays into her ex-husband for the first\u2014<a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#gaslighter\">but far from the last<\/a>\u2014time on the album. The tight-as-ever harmonies and pounding drums are just icing on the &#8220;fuck you&#8221; cake.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/sbVPcPL30xc\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">11. &#8220;Overlord,&#8221; <a href=\"https:\/\/dirtyprojectors.net\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Dirty Projectors (opens in a new tab)\">Dirty Projectors<\/a><\/h2>\n\n\n\n<p>The Brooklyn art-rock collective spent 2020 putting out a series of five EPs,  with different members taking lead vocal duties. This is from the first of the set, featuring guitarist Maia Friedman. Revel in the vibrant, exotic, bubbly sounds and definitely pay no mind to the lyrics about submission to authoritarianism. Everything is fine!<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LzHGYtIqLig\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">10. &#8220;Anthem Part Two,&#8221; <a href=\"https:\/\/julienbaker.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Julien Baker (opens in a new tab)\">Julien Baker<\/a><\/h2>\n\n\n\n<p>Who could have ever guessed that the song that would most captured the spirit of 2020 would be a cover of a Blink-182 song from 2001? When it ends with a rising cascade of vocals crying, &#8220;Everything has fallen to pieces,&#8221; well, how could it not? One of 55 tracks recorded for the <a href=\"https:\/\/www.stereogum.com\/2089484\/save-stereogum-crowdfunding-comp\/original-albums\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Save Stereogum (opens in a new tab)\">Save Stereogum<\/a> covers compilation to help keep the online music mag afloat, Baker&#8217;s contribution is not streaming on Youtube or anywhere else\u2014to hear it, you gotta pony up a donation and download the whole shebang\u2014so you&#8217;ll just have trust me<em>. <\/em>Instead, please enjoy Baker being interviewed about the track and a trailer for the compilation. (The <a rel=\"noreferrer noopener\" aria-label=\"ndiegogo campaign (opens in a new tab)\" href=\"https:\/\/www.indiegogo.com\/projects\/the-best-covers-compilation-of-the-year-nymag#\/\" target=\"_blank\">Indiegogo campaign<\/a> has closed, but apparently you can still purchase the album for a limited time by emailing <a href=\"mailto:tips@stereogum.com\">tips@stereogum.com<\/a> and begging them to take your money.)<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/badfZL8xYrk?start=880\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fMRh52ggpjI?start=880\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">9. &#8220;The Steps,&#8221; <a href=\"http:\/\/haimtheband.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Haim (opens in a new tab)\">Haim<\/a><\/h2>\n\n\n\n<p>I watched the Haim sisters <a rel=\"noreferrer noopener\" aria-label=\"perform this song (opens in a new tab)\" href=\"https:\/\/pitchfork.com\/news\/watch-haim-perform-the-steps-appear-in-a-sketch-on-fallon\/\" target=\"_blank\">perform<\/a> this on Jimmy Fallon (a video that is inexplicably no longer available on the internets), and I would just like to know where I apply to be the slightly husky white dude who plays simple chords in tempo on a 12-string for this song, because it is my dream job. This tune did not have to grow on me at all\u2014I fell in love with it instantly, from the first cracks of snare drum.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/J2O_xa8cems\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">8. &#8220;Kyoto,&#8221; <a href=\"https:\/\/phoebefuckingbridgers.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Phoebe Bridgers (opens in a new tab)\">Phoebe Bridgers<\/a><\/h2>\n\n\n\n<p>This is the second year in a row that Obama and me had the same song on our <a href=\"https:\/\/twitter.com\/BarackObama\/status\/1340386687898312706\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">year-end lists<\/a>! Guess that makes us both <a rel=\"noreferrer noopener\" aria-label=\"dark and strange heterosexual men (opens in a new tab)\" href=\"https:\/\/twitter.com\/mrs__fathead\/status\/1279958883797270528\" target=\"_blank\">dark and strange heterosexual men<\/a>! This is the rock-iest tune on Bridgers&#8217; sophomore album, and like No. 9 above, it is impossible to resist. It also contains one of the year&#8217;s most devastating lyrical moments:<\/p>\n\n\n\n<p style=\"text-align:center\"><em>&#8220;&#8230; Stare at the chemtrails with my little brother<br>He said you called on his birthday<br>You were off by like ten days<br>But you get a few points for tryin&#8217;.&#8221;<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Tw0zYd0eIlk\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">7. &#8220;Xian Man,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Stephen Malkmus (opens in a new tab)\" href=\"http:\/\/stephenmalkmus.com\/\" target=\"_blank\">Stephen Malkmus<\/a><\/h2>\n\n\n\n<p>Turn off your mind, relax, and float downstream on this trippy folk-rock groove. Frankly, a lot of Malkmus&#8217; <a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#traditional-techniques\">latest album<\/a> breezes by on the strength of its instrumentation, but it&#8217;s all good, man. Just enjoy that sliding dobro and that freaky-deaky psychedelic guitar tone. Mmm-hmm. Yeah. You know it, buddy.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7LU4rS7XOxw\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">6. &#8220;Thrift Store,&#8221; <a href=\"http:\/\/www.bowerbirds.org\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Bowerbirds (opens in a new tab)\">Bowerbirds<\/a><\/h2>\n\n\n\n<p>A decade ago, the North Carolina indie-folk band was one of my favorites, but they fell off the map after releasing a 2013 EP. It was so refreshing to see the band (or at least Philip Moore performing under than name) resurface this year. I think this is maybe another case of the pandemic leaving musicians with little to do other than write and record. So, I guess, to paraphrase Poison, every thorn has its rose. That sounds like a Bowerbirds lyric, and you&#8217;re welcome to use it, Phil.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PGjaxdnk0oY\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">5. &#8220;Aries,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Gorillaz (opens in a new tab)\" href=\"https:\/\/www.gorillaz.com\/\" target=\"_blank\">Gorillaz<\/a> feat. <a rel=\"noreferrer noopener\" aria-label=\"Peter Hook (opens in a new tab)\" href=\"https:\/\/twitter.com\/peterhook\" target=\"_blank\">Peter Hook<\/a> and <a href=\"https:\/\/georgiauk.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Georgia (opens in a new tab)\">Georgia<\/a><\/h2>\n\n\n\n<p>Meanwhile, Damon Albarn&#8217;s &#8220;virtual band&#8221; spent 2020 releasing &#8220;episodes&#8221; of the first &#8220;season&#8221; of <em>Song Machine<\/em>, which basically just meant putting out an album one animated music video at a time. This melancholy synth-pop track is the best of the bunch and does, indeed, sound a bit like <a rel=\"noreferrer noopener\" aria-label=\"2-D (opens in a new tab)\" href=\"https:\/\/en.wikipedia.org\/wiki\/2-D_(character)\" target=\"_blank\">2-D<\/a> put some vocals over a New Order outtake.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PKXloFW_ZCA\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">4. &#8220;Hell,&#8221; <a href=\"https:\/\/www.waxahatchee.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Waxahatchee (opens in a new tab)\">Waxahatchee<\/a><\/h2>\n\n\n\n<p>As I mentioned in my <a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#saint-cloud\">Favorite Albums of 2020<\/a> write-up, Katie Crutchfield&#8217;s latest is remarkably consistent. I mean, nobody can quite agree on what is <em>Saint Cloud&#8217;s <\/em>standout track. Obama <a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/twitter.com\/BarackObama\/status\/1340386687898312706\" target=\"_blank\">went with<\/a> &#8220;Can&#8217;t Do Much,&#8221; while Pitchfork featured both &#8220;Fire&#8221; and &#8220;Lilacs&#8221; on its <a rel=\"noreferrer noopener\" aria-label=\"Top 100 (opens in a new tab)\" href=\"https:\/\/pitchfork.com\/features\/lists-and-guides\/best-songs-2020\/\" target=\"_blank\">Top 100<\/a> list. For me, though, &#8220;Hell&#8221; is the one that edged out the others. The chorus is pure perfection, as Crutchfield harmonizes with herself, applies just a hint of twang, and turns up the intensity. &#8220;&#8230; I wanted to write a song that&#8217;s a little bit psycho,&#8221; she told <a rel=\"noreferrer noopener\" aria-label=\"Pitchfork (opens in a new tab)\" href=\"https:\/\/pitchfork.com\/features\/song-by-song\/waxahatchee-breaks-down-every-song-on-her-new-album-saint-cloud\/\" target=\"_blank\">Pitchfork<\/a>. <\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7TERmXuw5xs\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">3. &#8220;Marathon,&#8221; Chuck Prophet<\/h2>\n\n\n\n<p>Did San Francisco&#8217;s Chuck Prophet mean to write a musical metaphor about how getting through this pandemic is like a dance marathon? After all, this year has felt a bit like a sadistic endurance contest, one in which it certainly helps to have a partner you can lean on. (By the way, that&#8217;s Prophet&#8217;s wife <a rel=\"noreferrer noopener\" aria-label=\"Stephanie Finch (opens in a new tab)\" href=\"https:\/\/www.npr.org\/templates\/story\/story.php?storyId=127401869\" target=\"_blank\">Stephanie Finch<\/a> dueting with him on this track.) And the repeated line &#8220;Till we all fall down&#8221; does seem to recall &#8220;Ring Around the Rosie,&#8221; which we&#8217;ve all been told evolved as a way for children to cope with the grim reality of the bubonic plague (even if folklorist tend to say that&#8217;s <a rel=\"noreferrer noopener\" aria-label=\"bunk (opens in a new tab)\" href=\"https:\/\/blogs.loc.gov\/folklife\/2014\/07\/ring-around-the-rosie-metafolklore-rhyme-and-reason\/\" target=\"_blank\">bunk<\/a>). Eh &#8230; probably not, seeing as how the video for this song premiered way back in February, before the first lockdowns. Still, there&#8217;s  something oh-so alluring about a prescient song, and I choose to believe this is one of the most prescient song I&#8217;ve heard since &#8220;<a rel=\"noreferrer noopener\" aria-label=\"Ashes of American Flags (opens in a new tab)\" href=\"https:\/\/www.londoninstereo.com\/distance-has-no-way-of-making-love-understandable-the-enduring-power-of-yankee-hotel-foxtrot\/\" target=\"_blank\">Ashes of American Flags<\/a>.&#8221;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/J4QAZI0QXQU\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2. &#8220;Until Olympius Returns,&#8221; <a href=\"https:\/\/www.mountain-goats.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Mountain Goats (opens in a new tab)\">The Mountain Goats<\/a><\/h2>\n\n\n\n<p>In contrast to the last song, I don&#8217;t think there&#8217;s any question that John Darnielle was purposefully using metaphor and historical parallels to make a statement about current events. He <a rel=\"noreferrer noopener\" aria-label=\"jokes (opens in a new tab)\" href=\"https:\/\/twitter.com\/mountain_goats\/status\/1244686475482075136\" target=\"_blank\">jokes<\/a> about &#8220;everybody writing so many songs these days about Neoplatonists and late paganism and all,&#8221; but I think he knows that we know there&#8217;s a relevant message in the quiet defiance of fourth century Alexandrians living under an authoritarian regime, waiting for a moment of comeuppance that never came. Futile righteousness was certainly a big mood for me in 2020, and I think I speak for many like-minded people when I say, &#8220;ALL HAIL THE MYSTERIOUS GAP!&#8221;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0YpcwNIfwno\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">1. &#8220;Jump Rope Gazers,&#8221; <a href=\"https:\/\/thebeths.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Beths (opens in a new tab)\">The Beths<\/a><\/h2>\n\n\n\n<p>I do not know what a &#8221; jump rope gazer&#8221; is. Perhaps someone who just watches other people jumping rope &#8230; in the middle of the night? Um &#8230; look, it doesn&#8217;t matter. This is a gorgeous song, and it marks an early, dramatic turning point in <a href=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-10-favorite-albums-of-2020#jump-rope-gazers\">the album that shares its name<\/a>, wherein you realize that the New Zealand band isn&#8217;t just going to repeat the snappy highs of its  debut. This is a polished, hooky, mid-tempo, guitar-pop love song that&#8217;s just begging to travel back in time to 1988-1990 so it can be played on the radio alongside &#8220;The Flame&#8221; and &#8220;Heart of the Matter.&#8221;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lRMoE02hp_s\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"http:\/\/billchapin.net\/allthecitylights\/2020\/12\/rankstravaganza-my-30-favorite-songs-of-2020\/\" myshare_title=\"Rankstravaganza: My 30 Favorite Songs of 2020\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>What can one say about 2020 other than, \u201cGood riddance\u201d? I can think of one thing: There was some damn good music released this year. Is it because 2020 was a particularly fruitful year, with talented artists who had nothing else to do but write and record new music?<\/p>\n","protected":false},"author":1,"featured_media":3104,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,836,4,1],"tags":[807,932,42,1020,693,1036,1022,1025,1037,1033,23,944,803,1038,1032,1029,22,940,1012,935,967,1024,1031,1027,1034,1026,200,1030,1021,1035,808],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3103"}],"collection":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=3103"}],"version-history":[{"count":36,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3103\/revisions"}],"predecessor-version":[{"id":3203,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3103\/revisions\/3203"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media\/3104"}],"wp:attachment":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=3103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=3103"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=3103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}