{"id":3043,"date":"2020-01-12T22:21:02","date_gmt":"2020-01-13T06:21:02","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=3043"},"modified":"2020-01-13T13:15:50","modified_gmt":"2020-01-13T21:15:50","slug":"a-very-belated-rankstravaganza-my-30-favorite-songs-of-2019","status":"publish","type":"post","link":"http:\/\/billchapin.net\/allthecitylights\/2020\/01\/a-very-belated-rankstravaganza-my-30-favorite-songs-of-2019\/","title":{"rendered":"A Very Belated Rankstravaganza: My 30 Favorite Songs of 2019"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/01\/Jenny_lores.jpg\" alt=\"\" class=\"wp-image-3038\" width=\"500\" height=\"493\" srcset=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/01\/Jenny_lores.jpg 1000w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/01\/Jenny_lores-300x296.jpg 300w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/01\/Jenny_lores-768x756.jpg 768w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2020\/01\/Jenny_lores-769x757.jpg 769w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption>A certain former child actor and Rilo Kiley frontwoman put out my favorite song of the year. [Photo by Autumn de Wilde, via <a rel=\"noreferrer noopener\" aria-label=\"Nasty Little Man (opens in a new tab)\" href=\"https:\/\/www.nastylittleman.com\/jenny-lewis\/\" target=\"_blank\">Nasty Little Man<\/a>]<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-drop-cap\">Hey, asking for a friend: How late is too late to do a year-end, best-of list? Is mid-January still acceptable? It&#8217;s not? Hmmmm, well that&#8217;s going to be a problem for me. See, I got so caught up in <a rel=\"noreferrer noopener\" aria-label=\"profiling albums from the last 10 years (opens in a new tab)\" href=\"http:\/\/billchapin.net\/allthecitylights\/category\/music\/obligatory-list-making\/albums-of-the-2010s\/\" target=\"_blank\">profiling albums from the last 10 years<\/a> that I didn&#8217;t leave myself any time to profile songs from the last 12 months. And I really <em>like <\/em>doing a year-end song countdown. I <em>need <\/em>to do a year-end song countdown. And so here we are. <\/p>\n\n\n\n<p>I am excited to report that, after one or two or 20 occasions in the past when my year-end list was dominated by dudes, this year we are approaching gender parity! At least in terms of vocals. Fourteen of the 30 tracks below are either by a female solo artist, a band with a frontwoman, a male-female duo, someone who doesn&#8217;t subscribe to binary gender identifiers, or a Canadian indie-supergroup prominently featuring Neko Case. This includes the Top 2 spots, both of which also strike me as attempts at bouncy, melancholy-under-the-surface retro-pop inspired by the likes of Carole King. It&#8217;s what I was looking for in 2019, I guess.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify%3Auser%3A1212188094%3Aplaylist%3A6VvEAl02LQn19fYKh1ou3M\" allowtransparency=\"true\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">30. &#8220;Everything is Broken,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Sheryl Crow (opens in a new tab)\" href=\"https:\/\/sherylcrow.com\/\" target=\"_blank\">Sheryl Crow<\/a> (feat. <a href=\"http:\/\/www.jasonisbell.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Jason Isbell (opens in a new tab)\">Jason Isbell<\/a>)<\/h2>\n\n\n\n<p>This <a rel=\"noreferrer noopener\" aria-label=\"ain't the first time (opens in a new tab)\" href=\"https:\/\/youtu.be\/NuannFlkXfQ\" target=\"_blank\">ain&#8217;t the first time<\/a> Ms. Crow has done right by a Dylan tune. It&#8217;s a cover made for these times, a chronicle of crumbling institutions, and a worthy addition to the genre of tunes that includes &#8220;<a rel=\"noreferrer noopener\" aria-label=\"Everything's Ruined (opens in a new tab)\" href=\"https:\/\/youtu.be\/NrD7pKdcKl4\" target=\"_blank\">Everything&#8217;s Ruined<\/a>,&#8221; &#8220;<a rel=\"noreferrer noopener\" aria-label=\"Everything is Awful (opens in a new tab)\" href=\"https:\/\/youtu.be\/GCd5OT9oOxA\" target=\"_blank\">Everything is Awful<\/a>,&#8221; &#8220;<a rel=\"noreferrer noopener\" aria-label=\"Everything's Not Awesome (opens in a new tab)\" href=\"https:\/\/youtu.be\/m4BXikJi7c8\" target=\"_blank\">Everything&#8217;s Not Awesome<\/a>&#8221; and &#8220;<a rel=\"noreferrer noopener\" aria-label=\"Everything is Falling Apart (opens in a new tab)\" href=\"https:\/\/youtu.be\/AffiHHlAbWQ\" target=\"_blank\">Everything is Falling Apart<\/a>&#8221; from Teenage Fanclub&#8217;s latest, which <em>barely <\/em>missed the cut for inclusion on this here list.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bhWiq3BE3zY\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">29. &#8220;Not,&#8221; <a href=\"https:\/\/bigthief.net\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Big Thief (opens in a new tab)\">Big Thief<\/a><\/h2>\n\n\n\n<p>Hey, Obama put this on <a rel=\"noreferrer noopener\" aria-label=\"his list of favorite songs (opens in a new tab)\" href=\"https:\/\/www.npr.org\/2019\/12\/31\/792545360\/obama-releases-his-list-of-favorite-songs-of-2019\" target=\"_blank\">his list of favorite songs<\/a> of 2019. So that&#8217;s one thing we have in common! This first half is so compelling that I always forget the second half is a noise-rock freakout, and I try to put it on during breakfast on Saturday mornings, until my wife gives me the &#8220;<em>What the hell<\/em> are we listening to?&#8221; look.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UIcVwH47uxQ\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">28. &#8220;Feel So Great,&#8221; <a href=\"https:\/\/garciapeoples.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Garcia Peoples (opens in a new tab)\">Garcia Peoples<\/a><\/h2>\n\n\n\n<p>There are three things to know about this New Jersey band, and they are guitar, GUITAR, and <strong><em>GUITAR.<\/em><\/strong><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xYaMV3tgKKY\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">27. &#8220;Mockingbird,&#8221; <a href=\"https:\/\/www.rustonkelly.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Ruston Kelly (opens in a new tab)\">Ruston Kelly<\/a><\/h2>\n\n\n\n<p>&#8220;Pretty wings, you&#8217;re the prettiest thing, you&#8217;re like Parker Posey in a magazine with faded jeans and a crop top back in &#8217;93.&#8221; This is the greatest opening to a country song of all time. I dare you to come up with an example of a better one. YOU CAN&#8217;T! <\/p>\n\n\n\n<p>Dear Kacey Musgraves: You can&#8217;t <a rel=\"noreferrer noopener\" aria-label=\"leave this guy (opens in a new tab)\" href=\"https:\/\/popcrush.com\/kacey-musgraves-husband-breakup\/\" target=\"_blank\">leave this guy<\/a> after he wrote something like this! Unless he wrote it for some other woman, in which case definitely divorce him right away.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/1oeb9txGY8s\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">26. &#8220;Bury a Friend,&#8221; <a href=\"https:\/\/www.billieeilish.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Billie Eilish (opens in a new tab)\">Billie Eilish<\/a><\/h2>\n\n\n\n<p>Here&#8217;s the scene: I&#8217;m at my friend&#8217;s children\u2019s birthday party back in May. A pair of 16-year-olds seize control of the stereo and begin playing song after song of bewitching dance pop. Finally, my 40-year-old ass walks up to them and asks, &#8220;Who <em>is <\/em>this?&#8221; In unison they answer: &#8220;Billie Eilish. <em>Duh.&#8221; <\/em>And the &#8220;duh&#8221; was practically sampled from the &#8220;duh&#8221; in &#8220;Bad Guy.&#8221; Anyhoo.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HUHC9tYz8ik\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">25. &#8220;Terracentric,&#8221; <a href=\"http:\/\/www.rodgab.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Rodrigo y Gabriela (opens in a new tab)\">Rodrigo y Gabriela<\/a><\/h2>\n\n\n\n<p>The Mexican classical guitar virtuosos are on their fifth album, so if you don&#8217;t know that &#8220;instrumental flamenco metal&#8221; is a thing &#8230; well now you know.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8PIkjXVUjkk\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">24. &#8220;I&#8217;m On My Way,&#8221; <a href=\"https:\/\/www.rhiannongiddens.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Rhiannon Giddens (opens in a new tab)\">Rhiannon Giddens<\/a> (feat. Francesco Turrisi)<\/h2>\n\n\n\n<p>When you&#8217;re a MacArthur Genius continually looking for new ways to explore the folk traditions and possibilities of the banjo, teaming up with an Italian jazz musician whose music is rooted in studies of medieval music to explore the intersections of African, Arabic, European, and American music is probably a painfully obvious way to spend your time, but Giddens followed through with it anyway. <\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/a4Xlyi8Is98\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">23. &#8220;Hungry Child,&#8221; <a href=\"https:\/\/www.hotchip.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Hot Chip (opens in a new tab)\">Hot Chip<\/a><\/h2>\n\n\n\n<p>The song is pretty darn good, but my favorite part of the latest single from the English synth-pop group might be that it&#8217;s from an album called &#8220;A Bath Full of Ecstasy.&#8221;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VuwHiYzmlj8\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">22. &#8220;Country Squire,&#8221; <a href=\"https:\/\/tylerchildersmusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Tyler Childers (opens in a new tab)\">Tyler Childers<\/a><\/h2>\n\n\n\n<p>&#8220;Spending my nights in a bar room, Lord, turning them songs into 2x4s.&#8221; Here&#8217;s Kentucky&#8217;s own Hillbilly Romantic, singing about saving all his pennies just to build a trailer so he and his honey can get away from the smell of the paper mill. Such rich imagery to describe such simple desires. That\u2014and an acknowledgement that country music was once primarily fiddle-driven\u2014is what sets Childers apart.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/k1XMgUg8p-k\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">21. &#8220;Patience,&#8221; <a href=\"https:\/\/official.tameimpala.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Tame Impala (opens in a new tab)\">Tame Impala<\/a><\/h2>\n\n\n\n<p>Sometimes I like to imagine that, last year, Hot Chip and Tame Impala were in a high-stakes battle for electro-pop supremacy, and Kevin Parker just barely edged Hot Chip out with this non-album single.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rUmV-MorIKc\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">20. &#8220;Sanity,&#8221; <a href=\"https:\/\/nickmurphy.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Nick Murphy (opens in a new tab)\">Nick Murphy<\/a><\/h2>\n\n\n\n<p>We all know &#8217;80s nostalgia and &#8217;90s nostalgia when we hear it. What does &#8217;00s nostalgia sound like? I think the artist formerly known as Chet Faker might know the answer, even if that&#8217;s not exactly what he was going for. (I mean this as a complement, in case that wasn&#8217;t clear.)<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/D9bV9SRq8gM\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">19. &#8220;My Wing,&#8221; <a href=\"http:\/\/www.hissgoldenmessenger.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Hiss Golden Messenger (opens in a new tab)\">Hiss Golden Messenger<\/a><\/h2>\n\n\n\n<p>And the winner of the annual Tom Petty Torch Carrying award for 2019 goes to &#8230;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2cAPHp-ZSd8\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">18. &#8220;Before Us  ,&#8221; <a href=\"https:\/\/wilcoworld.net\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Wilco (opens in a new tab)\">Wilco<\/a><\/h2>\n\n\n\n<p>\u201cRemember when wars would end?&#8221; Jeff Tweedy asks wearily. Wilco&#8217;s latest, <em>Ode to Joy,<\/em> is full of hushed music for uncertain times\u2014a companion to <em>A Moon Shaped Pool <\/em>by Radiohead, to whom I&#8217;m sure Wilco is not at all sick of being constantly compared.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FKx5hw_2rqQ\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">17. &#8220;Little Trouble,&#8221; <a href=\"https:\/\/www.betteroblivioncommunitycenter.org\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Better Oblivion Community Center (opens in a new tab)\">Better Oblivion Community Center<\/a><\/h2>\n\n\n\n<p>&#8220;Not every psychopath can act so well behaved.&#8221; It&#8217;s true: Phoebe Bridgers and Conor Oberst really have a knack for bringing out each other&#8217;s strengths. If there&#8217;s one complaint I have about BOCC&#8217;s full-length debut, it&#8217;s that they spend too much time singing in octave unison. This non-album track avoids that pratfall with plenty of vocal harmony.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rgbKuepO0vg\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">16. &#8220;Can&#8217;t Calm Down,&#8221; <a href=\"https:\/\/handhabits.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Hand Habits (opens in a new tab)\">Hand Habits<\/a><\/h2>\n\n\n\n<p>Listening to the slow-burn guitar solo on this bit of hazy indie-pop, you can see why bands ranging from The War on Drugs to Weyes Blood (see below) have hired Meg Duffy as a studio musician.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FJIaJQBYfcA\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">15. &#8220;Taking Baby Steps,&#8221; <a href=\"https:\/\/www.markmulcahy.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Mark Mulcahy (opens in a new tab)\">Mark Mulcahy<\/a><\/h2>\n\n\n\n<p>&#8220;It&#8217;s. Been. A. Very. Long. Time,&#8221; but the guy from Miracle Legion\/Polaris\/<em>The Adventures of Pete and Pete <\/em>is still out there making cryptic, shimmering guitar rock.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/iuIu-uG7vY4\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">14. &#8220;All Some Kind of Dream,&#8221; <a href=\"https:\/\/www.joshritter.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Josh Ritter (opens in a new tab)\">Josh Ritter<\/a><\/h2>\n\n\n\n<p>On its face, Ritter&#8217;s folk ballad is an earnest protest song about children in holding pens, but with a couple clever turns of phrase, he subtly suggests that maybe the problem isn&#8217;t that this all feels like a bad dream. Maybe the dream is an idealized past where America cared for the tired, poor, huddled masses, when the reality is that depended on just how white those masses were.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-1rrETw5elw\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">13. &#8220;Sweetheart,&#8221; <a href=\"https:\/\/long-beard.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Long Beard (opens in a new tab)\">Long Beard<\/a><\/h2>\n\n\n\n<p>Sometimes I like to imagine that, last year, Hand Habits and Long Beard were in a high-stakes battle for introspective, downtempo bedroom-pop supremacy, and Leslie Bear just barely edged out Meg Duffy.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BIUXcPcTk8Q\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">12. &#8220;Sing Along,&#8221; <a href=\"https:\/\/www.sturgillsimpson.com\/agoodlookntour?ref=Typed\/Bookmarked\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Sturgill Simpson (opens in a new tab)\">Sturgill Simpson<\/a><\/h2>\n\n\n\n<p>As I stated in my <a href=\"http:\/\/billchapin.net\/allthecitylights\/2019\/11\/albums-of-the-teens-i-guess-country-folk-n-weezer-in-2014\/#simpson\">profile<\/a> of the country singer&#8217;s 2014 breakthrough, &#8220;If Simpson is known for two things, one is his lack of fucks given.&#8221; And if he wants to put out an album of practically ZZ Top-esque synth-blues with cover art of a muscle car leaving a mushroom cloud behind in its wake, &#8230; well, <em>you<\/em> try to explain to him why he shouldn&#8217;t.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SpSMoBp8awM\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">11. &#8220;Blackout Sam,&#8221; <a href=\"https:\/\/www.theholdsteady.net\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Hold Steady (opens in a new tab)\">The Hold Steady<\/a><\/h2>\n\n\n\n<p>If your favorite The Hold Steady is &#8220;Craig Finn introduces a new character with substance abuse problems while the band goes full E Street Shuffle complete with Clarence-esque sax&#8221; Hold Steady, then I have some good news for you.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SXzEmec8Bck\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">10. &#8220;Je Ne Me Connais Pas,&#8221; <a href=\"https:\/\/mattiel.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Mattiel (opens in a new tab)\">Mattiel<\/a><\/h2>\n\n\n\n<p>Her Bandcamp page tells me Mattiel Brown is from Atlanta, but I&#8217;m pretty convinced that&#8217;s just a cover story and she&#8217;s actually a time-traveler from Detroit&#8217;s early 2000s garage rock scene.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UsEEKkHOq_g\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">9. &#8220;Falling Down The Stairs Of Your Smile,&#8221; <a href=\"https:\/\/www.thenewpornographers.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The New Pornographers (opens in a new tab)\">The New Pornographers<\/a><\/h2>\n\n\n\n<p>There&#8217;s some minor tweaks to the formula on the eighth albums from A.C. Newman, Neko Case, et al., but mostly it&#8217;s another collection of flawlessly executed 3.5-minute morsels of melodic guitar-pop and inscrutable lyrics. For example &#8230;<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UqDO6DWldpw\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">8. &#8220;Young Enough,&#8221; <a href=\"http:\/\/charlybliss.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Charly Bliss (opens in a new tab)\">Charly Bliss<\/a><\/h2>\n\n\n\n<p>Charly Bliss, on the other hand, tweaked their formula about as far as it could be tweaked. Part of me misses the Weezer-ish guitar rock of the Brooklyn band&#8217;s 2017 deubt, but the slow build of this decidedly New Wave-ish anthem is thrilling in its own right.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AwszMAktc-M\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">7. &#8220;Juice,&#8221; <a href=\"https:\/\/www.lizzomusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lizzo (opens in a new tab)\">Lizzo<\/a><\/h2>\n\n\n\n<p>Have y&#8217;all heard of this rapper\/singer\/flautist Lizzo? I think she&#8217;s going to be big.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XaCrQL_8eMY\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">6. &#8220;Sisyphus,&#8221; <a href=\"http:\/\/www.andrewbird.net\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Andrew Bird (opens in a new tab)\">Andrew Bird<\/a><\/h2>\n\n\n\n<p>&#8220;History forgets the moderates,&#8221; Bird sings between whistling solos and re-imagining the old Greek myth as a parable about &#8220;<a rel=\"noreferrer noopener\" aria-label=\"being addicted to your own suffering and the moral consequences of letting the rock roll (opens in a new tab)\" href=\"https:\/\/www.pastemagazine.com\/articles\/2019\/01\/andrew-bird-single-sisyphus-album-my-finest-work-y.html\" target=\"_blank\">being addicted to your own suffering and the moral consequences of letting the rock roll<\/a>.&#8221; It&#8217;s a fine opening to an <a href=\"http:\/\/billchapin.net\/allthecitylights\/2019\/12\/albums-of-the-teens-i-guess-all-good-things-must-come-to-an-end-and-also-this-decade-must\/#bird\">album<\/a> focused on our fractured political landscape.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zug1B8DSkWw\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">5. &#8220;Attention Students,&#8221; <a href=\"http:\/\/matthewmilia.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Matthew Milia (opens in a new tab)\">Matthew Milia<\/a><\/h2>\n\n\n\n<p>&#8220;I text myself to make sure \/ the world didn&#8217;t turn to vapor.&#8221; Milia, of the Michigan indie-folk band Frontier Ruckus, takes some chances with the rhymes on this single. As a result, it comes off as a series of delightful surprises, where you&#8217;re never quite sure what turn the lyrics are going to take next.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hE4BpWJHJ_I\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">4. &#8220;Super Cool,&#8221; <a rel=\"noreferrer noopener\" aria-label=\"Beck (opens in a new tab)\" href=\"https:\/\/www.beck.com\/\" target=\"_blank\">Beck<\/a> (feat. <a rel=\"noreferrer noopener\" aria-label=\"Robyn (opens in a new tab)\" href=\"https:\/\/robyn.com\/\" target=\"_blank\">Robyn<\/a> and <a href=\"http:\/\/www.thelonelyisland.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Lonely Island (opens in a new tab)\">The Lonely Island<\/a>)<\/h2>\n\n\n\n<p>&#8220;Now if you&#8217;re gonna be featured on a movie song, the credits is the part that you wanna be ON.&#8221; I took my kids to Legoland this summer and heard this song about 4,700 times played over the park sound system over the course of three days &#8230; <em>and I still like it.<\/em> That&#8217;s how good it is.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tFOaxRu5afo\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">3. &#8220;This Life,&#8221; <a href=\"https:\/\/www.vampireweekend.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Vampire Weekend (opens in a new tab)\">Vampire Weekend<\/a><\/h2>\n\n\n\n<p>&#8220;Baby, I know pain is as natural as the rain \/ I just thought it didn&#8217;t rain in California.&#8221; Pretty sure this is a case of &#8220;you either love it or you hate it.&#8221; Frankly, I was a little surprised to find myself coming down on the &#8220;love it&#8221; side of the equation, but I guess love isn&#8217;t what I thought it was. I just can&#8217;t say no to all that bouncy guitar interplay.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FwkrrU2WYKg\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">2. &#8220;Everyday,&#8221; <a href=\"http:\/\/www.weyesblood.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Weyes Blood (opens in a new tab)\">Weyes Blood<\/a><\/h2>\n\n\n\n<p>This is a lot poppier than most of <em>Titanic Rising, <\/em>Natalie Mering&#8217;s fourth album released under the name Weyes Blood, but it&#8217;s the clear highlight. The key is in the production, with its layers of piano and vocal harmonies building to an ecstatic conclusion.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AJ-BFlTo5ag\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:65px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">1. &#8220;Wasted Youth,&#8221; <a href=\"https:\/\/www.jennylewis.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Jenny Lewis (opens in a new tab)\">Jenny Lewis<\/a><\/h2>\n\n\n\n<p>&#8220;And everybody knows we&#8217;re in trouble \/ do do do do do do.&#8221; Just about sums up 2019, doesn&#8217;t it? As with &#8220;Everyday,&#8221; this song is a triumph of retro-pop production. The &#8217;80s guitar tone on the outro is just *chef&#8217;s kiss*.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZY8bdQRpmGU\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"http:\/\/billchapin.net\/allthecitylights\/2020\/01\/a-very-belated-rankstravaganza-my-30-favorite-songs-of-2019\/\" myshare_title=\"A Very Belated Rankstravaganza: My 30 Favorite Songs of 2019\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>Fourteen of the 30 tracks below are either by a female solo artist, a band with a frontwoman, a male-female duo, someone who doesn&#8217;t subscribe to binary gender identifiers, or a Canadian indie-supergroup prominently featuring Neko Case.<\/p>\n","protected":false},"author":1,"featured_media":3038,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,836,4],"tags":[645,830,42,996,1011,998,1001,949,1009,827,1004,999,1013,1010,1005,803,1019,63,993,1015,1014,994,1016,1008,1012,1003,47,1002,1000,997,833,1007,16,1017,27,1006,995,1018,74],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3043"}],"collection":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=3043"}],"version-history":[{"count":22,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3043\/revisions"}],"predecessor-version":[{"id":3068,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/3043\/revisions\/3068"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media\/3038"}],"wp:attachment":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=3043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=3043"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=3043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}