{"id":2172,"date":"2014-01-05T11:46:06","date_gmt":"2014-01-05T19:46:06","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=2172"},"modified":"2015-01-12T09:31:48","modified_gmt":"2015-01-12T17:31:48","slug":"rankstravaganza-2013-my-30-favorite-songs-of-the-year","status":"publish","type":"post","link":"http:\/\/billchapin.net\/allthecitylights\/2014\/01\/rankstravaganza-2013-my-30-favorite-songs-of-the-year\/","title":{"rendered":"Rankstravaganza 2013: My 30 Favorite Songs of the Year"},"content":{"rendered":"<figure id=\"attachment_2195\" aria-describedby=\"caption-attachment-2195\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2014\/01\/web-Jasonguitarcolor.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2195\" alt=\"SPOILER ALERT: This talented southern singer-songwriter turned out my No. 1 song of 2013.\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2014\/01\/web-Jasonguitarcolor-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2014\/01\/web-Jasonguitarcolor-300x199.jpg 300w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2014\/01\/web-Jasonguitarcolor.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-2195\" class=\"wp-caption-text\">SPOILER ALERT: This talented southern singer-songwriter turned out my No. 1 song of 2013. (<a href=\"http:\/\/www.jasonisbell.com\/press\/\" target=\"_blank\">via<\/a>)<\/figcaption><\/figure>\n<p>Once again, I&#8217;m turning this in a few days past deadline. No matter! It&#8217;s still not too late to celebrate 2013, which in my musical estimation was a year of songwriters singing about specific places, of longer-than-long-awaited follow-ups, of gorgeous melodies, of Bowie-esque glam rock and of actual Bowie. There&#8217;s lots of Americana, some blistering noise rock, several Bay Area artists and very little rap (sorry!) to be found on this year&#8217;s countdown. So, you know, the usual. I hope you enjoy these tracks half as much as I did.<\/p>\n<p>And away we go!<!--more--><\/p>\n<p><strong>30. &#8220;After Mardi Gras,&#8221; <a href=\"http:\/\/steveearle.com\/\" target=\"_blank\">Steve Earle<\/a> &amp; The Dukes (&amp; Duchesses)<\/strong><\/p>\n<p>Earle co-wrote this acoustic shuffle with his <a href=\"http:\/\/www.hbo.com\/treme\" target=\"_blank\"><em>Treme<\/em><\/a> costar <a href=\"http:\/\/luciamicarelli.com\/\" target=\"_blank\">Lucia Micarelli<\/a>\u2014her melody, his lyrics\u2014and it was <a href=\"http:\/\/youtu.be\/VUyGg0wId_o\" target=\"_blank\">featured<\/a> on the HBO series as a tune written by Micarelli&#8217;s character, Annie. Earle&#8217;s words concern a heartbreak delayed by New Orleans&#8217; splendor, but I gotta say, my affinity for this song probably has more to do with Micarelli&#8217;s contribution. The tune is as breezy as the Big Easy.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/T_HlzoZoKMo\" height=\"356\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>29. &#8220;She Ain&#8217;t Speakin&#8217; Now,&#8221; <a href=\"http:\/\/www.ofmontreal.net\/\" target=\"_blank\">Of Montreal<\/a><\/strong><\/p>\n<p>Of Montreal wasn&#8217;t always synonymous with elctro-funk, but it&#8217;s been so long since Kevin Barnes&#8217; pop project has featured guitars more prominently than keyboards tha<em><\/em>t his latest album registered as an abrupt change-up. Rediscovering some of the &#8217;60s psych-pop that launched the Athens, Ga., band in the first place without losing the bordering-on-uncomfortable introspection of recent albums, <em>Lousy With\u00a0Sylvianbriar<\/em> <em><\/em>is full of tracks like this one: woozy, Beatles-esque romps anchored by strong guitar riffs.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/bS3hmSH37zI\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>28. &#8220;Skeleton Key,&#8221; <a href=\"http:\/\/www.doomtree.net\/dessa\/\" target=\"_blank\">Dessa<\/a><\/strong><\/p>\n<p>For being a member of a prominent indie hip-hop collective, the Minneapolis artists really downplayed the rapping on her second proper studio album<em>. <\/em>Like most of <em>Parts of Speech, <\/em>this track is entirely sung. Unlike a lot of the rest of the album, it wouldn&#8217;t have sounded out of place on\u00a0<em>Parts&#8217; <\/em>predecessor, <em>A Badly Broken Code<\/em>. That&#8217;s probably because the song was produced by her <a href=\"http:\/\/www.doomtree.net\/\" target=\"_blank\">Doomtree<\/a> labelmate, Lazerbeak, and it bears his mark in its propulsive, minor-key beats.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/B-elJDC8N7I\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>27. &#8220;Joy to You Baby,&#8221; <a href=\"http:\/\/www.joshritter.com\/\" target=\"_blank\">Josh Ritter<\/a><\/strong><\/p>\n<p>The &#8220;divorce album&#8221; is a very tricky thing to pull off without appearing self-serving and vindictive or playing the victim. Ritter mostly acquits himself well, particularly on this bittersweet track, on which the Boston-based singer-songwriter rises above the wreckage of his marriage to fellow musician <a href=\"http:\/\/www.dawnlandes.com\/\" target=\"_blank\">Dawn Landes<\/a> and wishes her\u2014and himself\u2014all the happiness they were unable to find together.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/QV7mki8GhYA\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>Josh Ritter is performing Jan. 23 at The Fillmore in San Francisco with Gregory Alan Isakov. [<a href=\"http:\/\/concerts.livenation.com\/event\/1C004B44854C2F8B\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<p><strong>26. &#8220;I&#8217;ll Trade You Money for Wine,&#8221; <a href=\"http:\/\/www.robbiefulks.com\/\" target=\"_blank\">Robbie Fulks<\/a><\/strong><\/p>\n<p>One of Chicago&#8217;s most talented songwriters, alt-country mainstay Fulks says the opening track to his 12th album is about one of those \u201cstreetcorner seers and prophesiers and lesser loudmouths.\u201d A stark folk song featuring Appalachian fiddle and a Nevada setting, it describes a town wino who decided drinking his troubles away was preferable to scrimping &#8217;til his hair turned grey. [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2013\/10\/racking-up-plays-ill-trade-you-money-for-wine-by-robbie-fulks\/\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/fpZeD05274Y\" height=\"356\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>25. &#8220;New You,&#8221; <a href=\"http:\/\/www.mybloodyvalentine.org\/\" target=\"_blank\">My Bloody Valentine<\/a><\/strong><\/p>\n<p>This is probably the closest thing to a pop song on the enigmatic Irish band&#8217;s first album in 22 years, which picks up right where <em>Loveless <\/em>left off, awash in guitar noise and androgynous vocals. This track adds a bouncy bass line and a slightly more palpable melody to the mix.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/VpoOjoiYcWY\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>24. &#8220;Knock Me on the Head,&#8221; <a href=\"http:\/\/www.stornoway.eu\/\" target=\"_blank\">Stornoway<\/a><\/strong><\/p>\n<p>I discovered this English folk-rock band via label 4AD 2013 summer sampler and was pretty immediately smitten with its ostentatious, nonsensical lyrics; three-part harmonies on the chorus; vintage keyboard sounds; and reference to &#8220;The Rime of the Ancient Mariner.&#8221; It is supremely nerdy, literate, precious and catchy\u2014just the thing for a year that didn&#8217;t feature a Decemberists release.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/ztOtNCyjE-w\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>23. &#8220;Into a Dream,&#8221; <a href=\"http:\/\/shannonandtheclams.com\/\" target=\"_blank\">Shannon and the Clams<\/a><\/strong><\/p>\n<p>Sounding like a broadcast over a ghost radio that somehow receives a signal from 1959, this Oakland-based retro-punk trio hasn&#8217;t lost its sense of zany adventure, but this track in particular is a pretty straight-up, no-nonsense, old-school R&amp;B song, driven by Shannon Shaw&#8217;s raggedly soulful vocals. Nothing wrong with any of that.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/yFGQgL_Z4tg\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>[free <a href=\"http:\/\/www.hardlyart.com\/mp3\/ShannonAndTheClams_IntoADream.mp3\" target=\"_blank\">mp3<\/a> available via <a href=\"http:\/\/www.thebaybridged.com\/2013\/05\/06\/shannon-the-clams-in-a-dream\/\" target=\"_blank\">The Bay Bridged<\/a>]<\/p>\n<p><em>Shannon and the Clams performs Feb. 1 at The Chapel in San Francisco. [<a href=\"http:\/\/www.ticketfly.com\/purchase\/event\/446745?__utma=1.1743244388.1388479358.1388479358.1388479358.1&amp;__utmb=1.3.10.1388479358&amp;__utmc=1&amp;__utmx=-&amp;__utmz=1.1388479358.1.1.utmcsr=google|utmccn=%28organic%29|utmcmd=organic|utmctr=%28not%20provided%29&amp;__utmv=-&amp;__utmk=193683373\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<p><strong>22. &#8220;Hey Tonight,&#8221; <a href=\"http:\/\/www.freeenergymusic.com\/\" target=\"_blank\">Free Energy<\/a><\/strong><\/p>\n<p>Nothing on the Philly band&#8217;s sophomore album approaches the scuzzy awesomeness that is &#8220;Bang Pop,&#8221; but this is a pretty all-around sweet song, even if it&#8217;s more pop than power-pop. It still has plenty of teenage horniness at its core, which seems to be Free Energy&#8217;s raison d&#8217;etre.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"http:\/\/bandcamp.com\/EmbeddedPlayer\/album=2820581763\/size=medium\/bgcol=ffffff\/linkcol=0687f5\/t=4\/transparent=true\/\" height=\"240\" width=\"320\" seamless=\"\"><\/iframe><\/p>\n<p><strong>21. &#8220;Coast to Coast,&#8221; <a href=\"http:\/\/waxahatchee.com\/\" target=\"_blank\">Waxahatchee<\/a><\/strong><\/p>\n<p>Somewhere between her debut and follow-up, Brooklyn-based singer-songwriter and Alabama native Katie Crutchfield&#8217;s project stopped sounding like low-fi, acoustic demos and started sounding like a kick-ass rock band. It still kind of qualifies as alt-folk, though\u2014just plugged in and featuring some booming bass drum fills.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/HHivBJoFa_0\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>[free <a href=\"http:\/\/www.digitalwell.washington.edu\/dw\/1\/51\/0b\/0b5bd05d-1a83-4948-bac7-c03cf4a9432a.MP3\">mp3<\/a> via <a href=\"http:\/\/blog.kexp.org\/2013\/04\/03\/song-of-the-day-waxahatchee-coast-to-coast\/\" target=\"_blank\">KEXP<\/a>]<!--nextpage--><\/p>\n<p><strong>20. &#8220;Devastate,&#8221; <a href=\"http:\/\/amandashiresmusic.com\/\" target=\"_blank\">Amanda Shires<\/a><\/strong><\/p>\n<p>Though by all accounts happily married to fellow singer-songwriter Jason Isbell (more on him later), Shires wrote this song about relationship insecurity and suspecting that your lover has someone else on his mind. The demure Texan&#8217;s latest album doesn&#8217;t showcase her fiddling nearly as much, which is kind of a shame, but it allows her to explore some more fully fleshed-out roots-rock like this dark and stormy track.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/mTx4HbKfkWM\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>19. &#8220;Reflektor,&#8221; <a href=\"http:\/\/arcadefire.com\/reflektorpreorder\/us\/\" target=\"_blank\">Arcade Fire<\/a><\/strong><\/p>\n<p>Just in case you weren&#8217;t convinced that this seven-minute epic by the Canadian catharsis-rock<sup>\u00ae<\/sup> band was at least partially inspired by Berlin era David Bowie, the Thin White Duke himself showed up to contribute some vocals. There are other sources of inspiration on <em>Reflektor<\/em>, including the rara music of R\u00e9gine Chassagne&#8217;s native Haiti, the alternative-dance beats of LCD Soundsystem (whose James Murphy co-produced the album) and, on this track, big, beefy tenor saxophone.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7E0fVfectDo\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>Arcade Fire performs July 30 at <a href=\"http:\/\/www.theshorelineamphitheatre.com\/\" target=\"_blank\">Shoreline Amphitheatre<\/a> in Mountain View. [<a href=\"http:\/\/concerts.livenation.com\/event\/1C004B6DF38CA4E3?awc=4103_1388600079_836ba4d8e065681a0953d43950180931&amp;REFERRAL_ID=tmfeedbuyat97249&amp;wt.mc_id=aff_BUYAT_97249&amp;camefrom=CFC_BUYAT_97249\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<p><strong>18. &#8220;Holy Ghost,&#8221; <a href=\"http:\/\/chairkickers.com\/\" target=\"_blank\">Low<\/a><\/strong><\/p>\n<p>Duluth&#8217;s stalwart downer-rock<sup>\u00ae<\/sup> band went for a more organic sound on its 10th album, utilizing acoustic instruments, vocal harmonies and Wilco&#8217;s Jeff Tweedy, who took the producer&#8217;s chair. This Mimi Parker-led track is maybe the prettiest, slowest song on an album full of very pretty, very slow songs.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/n5vpN3hhbkY\" height=\"356\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>17. &#8220;Sail to the Sun,&#8221; <a href=\"http:\/\/wavves.net\/\" target=\"_blank\">Wavves<\/a><\/strong><\/p>\n<p>I was never able to get into Nathan Williams&#8217; little garage-rock project\u2014or Surfer Blood or Best Coast or any of the other sun-blasted, overdriven noise-pop that emerged a couple years ago\u2014until this song came along. Maybe it&#8217;s because the production on the San Diego band&#8217;s albums has gotten progressively more sophisticated. Maybe it&#8217;s because <a href=\"https:\/\/www.google.com\/search?q=wavves+afraid+of+heights+in+utero\" target=\"_blank\">a bunch of reviewers<\/a> compared it to <em>In Utero<\/em>. Whatever it was, Wavves finally clicked for me. That stupid extra V doesn&#8217;t even bother me all that much anymore.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/lfPNbZB6PvM\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>16. &#8220;Toe Cutter &#8211; Thumb Buster,&#8221; <a href=\"http:\/\/www.theeohsees.com\/\" target=\"_blank\">Thee Oh Sees<\/a><\/strong><\/p>\n<p>A few weeks ago, it sure sounded like the Bay Area&#8217;s most prolific, fuzzed out rock band was <a href=\"http:\/\/blogs.sfweekly.com\/shookdown\/2013\/12\/thee_oh_sees_deans_of_san_fran.php\" target=\"_blank\">calling it quits<\/a>, because gentrification. But a message on the band&#8217;s website says the group is not splitting up\u2014just taking a break\u2014and will release a new album in early 2014. Hooray! Oh, and this song is fuckin&#8217; heavy, man. Heavy and scuzzy and chromatic.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/R44Qh2P7wo0\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>15. &#8220;FOH,&#8221; <a href=\"http:\/\/www.superchunk.com\/\" target=\"_blank\">Superchunk<\/a><\/strong><\/p>\n<p>FOH stands for &#8220;front of house,&#8221; referring to the public parts of a concert venue. Chapel Hill&#8217;s finest offers up a fast, uncomplicated rocker. Twenty-four years after their debut, the group can still throw down.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/zk2MnAz7lcM\" height=\"356\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>[free mp3 available as part of Merge Records Summer Sampler 2013 from <a href=\"http:\/\/www.amazon.com\/Merge-Records-Summer-Sampler-2013\/dp\/B00DLA5SEY\" target=\"_blank\">Amazon<\/a>]<\/p>\n<p><strong>14. &#8220;Out with the Old,&#8221; <a href=\"http:\/\/www.77eldeora.com\/two.html\" target=\"_blank\">Maurice Tani &amp; Mike Anderson<\/a><\/strong><\/p>\n<p>I first saw Tani, frontman for Bay Area country band <a href=\"http:\/\/www.77eldeora.com\/\" target=\"_blank\">77 El Deora<\/a>, at the <a href=\"http:\/\/billchapin.net\/allthecitylights\/2012\/11\/photos-11th-annual-murder-ballad-bash-the-starry-plough-berkeley-calif-10-26-12\/\" target=\"_blank\">11th Annual Murder Ballad Bash<\/a> at the Starry Plough in Berkeley and was blown away by his voice, which is like Americana incarnate. Tani is an equally strong songwriter. This is the lead track from a stripped-down, acoustic album that Tani recorded Anderson, 77 El Deora&#8217;s bass player, and it follows a gorgeous path that wanders from major chord to minor chord.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/OFA4zuGLZJo\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>13. &#8220;City,&#8221; <a href=\"http:\/\/www.thaoandthegetdownstaydown.com\/\" target=\"_blank\">Thao &amp; The Get Down Stay Down<\/a><\/strong><\/p>\n<p>San Francisco singer-songwriter Thao Nguyen&#8217;s band often gets pegged as alternative folk, and there is a fair amount of banjo on the group&#8217;s latest album, but this song is all about a snarling electric guitar riff, blasts of bass drum and a final, inspirational message: &#8220;Rest and be strong, wash and be clean, start a new year whenever you need.&#8221;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/K7DKnouq4do\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>Thao &amp; The Get Down Stay Down performs on Feb. 14 at The Fillmore in San Francisco with Sonny &amp; the Sunsets. [<a href=\"http:\/\/www.livenation.com\/events\/303046-feb-14-2014-thao-and-the-get-down-stay-down\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<p><strong>12. &#8220;Inhaler,&#8221; <a href=\"http:\/\/www.foals.co.uk\/\" target=\"_blank\">Foals<\/a><\/strong><\/p>\n<p>In lieu of an actual, coherent sentence, I&#8217;m going to list a bunch of music-critic jargon that you can assemble yourself: Oxford, indie, danceable, major-label debut, lead single, track, loud-quiet-loud, monster riff, metal-ish, math-rock, pizzicato guitar picking, builds, dynamic, rhythmic, propulsive, kick-ass.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/qJ_PMvjmC6M\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>11. &#8220;The Vampyre of Time and Memory,&#8221; <a href=\"http:\/\/www.qotsa.com\/\" target=\"_blank\">Queens of the Stone Age<\/a><\/strong><\/p>\n<p>In 2010, QotSA frontman Josh Homme contracted an antibiotic-resistant staph infection, had a <a href=\"http:\/\/www.rollingstone.com\/music\/news\/josh-homme-really-thankful-for-near-death-experience-20131011\" target=\"_blank\">near-death experience<\/a> while undergoing surgery, and was confined to a bed for months afterward. There is &#8220;undead&#8221; imagery throughout the SoCal band&#8217;s latest album, but nowhere is it more prominent than this slow-burning track, which seems to speak to the emotional scars that Homme had to confront during his recovery. The song is a minor-key, glam-rock requiem. If you&#8217;ve always wished that there were vocals to accompany the first half of Elton John&#8217;s &#8220;Funeral for a Friend,&#8221; this is probably the closest you&#8217;re ever going to get.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/AEIVlYegHx8\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><!--nextpage--><\/p>\n<p><strong>10. &#8220;Down Down the Deep River,&#8221; <a href=\"http:\/\/okkervilriver.com\/\" target=\"_blank\">Okkervil River<\/a><\/strong><\/p>\n<p>Will Sheff, who has returned to Northeast\u2014Brooklyn, specifically\u2014after years in Texas, says this is one of his favorite songs that he&#8217;s ever written. And he&#8217;s written some doozies. This one, however, clearly has deep, personal significance to him. It is the centerpiece of a concept album about growing up in Meriden, N.H., population 500, in the 1980s. While Sheff is loath to say too much about the specific meanings of his songs, and he insists that &#8220;Down Down the Deep River&#8221; is not strictly autobiographical, it is clearly about having your first childhood experience with the death of someone close to you. &#8220;And it&#8217;s not all right. It&#8217;s not even close to all right,&#8221; Sheff sings repeatedly. He is currently working on a <a href=\"http:\/\/www.kickstarter.com\/projects\/1038315021\/down-down-the-deep-river\" target=\"_blank\">short film<\/a> based on the song.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7mjb0V9IgGI\" height=\"356\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>9. &#8220;S.O.S. in Bel Air,&#8221; <a href=\"http:\/\/www.wearephoenix.com\/\" target=\"_blank\">Phoenix<\/a><\/strong><\/p>\n<p>If the French band couldn&#8217;t quite recapture the lightning that was &#8220;1901&#8221; and &#8220;Lisztomania,&#8221; it at least sounded like it wasn&#8217;t trying too hard to top itself. Instead it simply, confidently released another well-crafted three minutes of dance-rock, albeit with a slightly scuzzier sound than the nice, clean tones that characterized its previous work.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/CsIrTZqCkRA\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>8. &#8220;Born to Die,&#8221; <a href=\"http:\/\/kingkhanmusic.com\/#!\/king-khan-and-the-shrines\" target=\"_blank\">King Khan and the Shrines<\/a><\/strong><\/p>\n<p>Roughly 10 years ago, while I was working as a small-town entertainment reporter in Michigan, the local guy with connections in the world of underground garage-punk told me that I ought to stop by one of the downtown bars on Tuesday night. There was a duo named The King Khan &amp; BBQ Show that would be stopping in town to play a set in between two big-city gigs on its tour. Compared to the raw, rockin&#8217; set I saw last night, this song practically sounds like Phil Spector. The opening track to Arish Ahmad Khan&#8217;s latest album is still raw and rockin&#8217;\u2014just with string and horn sections added to the mix.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/J3f9q7Liv8k\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>7. &#8220;Hearts and Minds,&#8221; <a href=\"http:\/\/www.sonvolt.net\/\" target=\"_blank\">Son Volt<\/a><\/strong><\/p>\n<p>I&#8217;ve said it before and I&#8217;ll say it again: Between the double fiddle and Jay Farrar&#8217;s voice\u2014which is seasoned as ever but, thanks to the slow march of time, not quite so beyond-his-years anymore\u2014this is basically crack for Americana fans. [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2013\/03\/racking-up-plays-hearts-and-minds-by-son-volt\/\" target=\"_blank\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/NoGk_pdyS_c\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>[free mp3 available in exchange for email address at <a href=\"http:\/\/www.sonvolt.net\/\" target=\"_blank\">sonvolt.net<\/a>]<\/p>\n<p><strong>6. &#8220;Q.U.E.E.N.,&#8221; <a href=\"http:\/\/www.jmonae.com\/#\" target=\"_blank\">Janelle Mon\u00e1e<\/a> [feat. Erykah Badu]<\/strong><\/p>\n<p>This song is a perfect distillation of what I love about Monae and what makes her the most exciting thing to happen to R&amp;B since Prince (who lends his talents to the preceding album track). It morphs from an electro dance jam to a horn inflected, cool-jazz interlude to a fiery, defiant, literate, political rap that manages to rhyme &#8220;Nefertiti&#8221; with &#8220;Kansas City&#8221;<em>and<\/em> throw in a Phillip K. Dick reference. Continuing the Afrofuturism themes she put to use on her previous work, the Atlanta-based artist has created a celebratory single for all the outcasts, many of whom are represented in that titular acronym. (Hint: <a href=\"http:\/\/www.fuse.tv\/videos\/2013\/09\/janelle-monae-queen-interview\" target=\"_blank\">The Q is for &#8220;queer.&#8221;)<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/tEddixS-UoU\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>\u00a05. &#8220;Nanobots,&#8221; <a href=\"http:\/\/www.theymightbegiants.com\/\" target=\"_blank\">They Might Be Giants<\/a><\/strong><\/p>\n<p>While this appropriately robotic-sounding pop song might appear on the surface to simply be about a society of microscopic machines just waiting to rise up and destroy humanity, nerd-rock godfather John Linnell says it is inspired by the fact that he is father to a 14 year old and has, in effect, created something he no longer has control over. [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2013\/05\/racking-up-plays-nanobots-by-they-might-be-giants\/\" target=\"_blank\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/CSPv8tXISsU\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>4. &#8220;1x1x1,&#8221; Cloud Cult<\/strong><\/p>\n<p>Guys! Why aren&#8217;t you listening to Cloud Cult? Cloud Cult is really good. I know I say this every time the Minnesota band puts out a new album, but come on. You really ought to. Here, start with this song. It has this fancy alternate-tuning guitar melody going on, a few sections good for some serious headbanging and a message so earnest that only Craig Minowa could deliver it without sounding trite or unintentionally dirty: &#8220;If you keep trying to fill your holes with the next best thing, then the next best thing will give you more and more holes.&#8221;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/kbPh2wBEhAw\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>3. &#8220;The Next Day,&#8221; <a href=\"http:\/\/www.davidbowie.com\/\" target=\"_blank\">David Bowie<\/a><\/strong><\/p>\n<p>I hope I&#8217;m not aggrandizing things too much when I say this song reminds me of T.S. Eliot&#8217;s &#8220;The Waste Land.&#8221; The lyrics contain the line, &#8220;Their soggy paper bodies wash ashore in the dark.&#8221; That&#8217;s some dark, enigmatic weirdness right there. And clearly I&#8217;m <a href=\"http:\/\/bowiesattva.wordpress.com\/2013\/03\/31\/wake-up-to-the-next-day\/\" target=\"_blank\">not the only guy<\/a> who read <em>American Gods<\/em> and thinks that the chorus sounds suspiciously like how the Norse god Odin was <a href=\"http:\/\/en.wikipedia.org\/wiki\/Odin#H.C3.A1vam.C3.A1l\" target=\"_blank\">hung from Yggdrasill<\/a>, the &#8220;world tree.&#8221; With snarling guitars and prophetic allusions, the title track from Bowie&#8217;s most critically acclaimed album in decades rollicks along with as much musical energy and verve as &#8220;Joe the Lion&#8221; (or any number of other uptempo salvos from his 1970s golden era), and the soon-to-be-67 year old sounds as audacious and indignant as he did at 30. The controversial official video doesn&#8217;t feature the entire song, but it does feature a blustery Gary Oldman as a lecherous priest.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7wL9NUZRZ4I\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>2. &#8220;Ohio,&#8221; <a href=\"http:\/\/www.pattygriffin.com\/\" target=\"_blank\">Patty Griffin<\/a> [feat. Robert Plant]<\/strong><\/p>\n<p>The last two songs on this list are both gorgeous tracks by singer-songwriters with geographic titles. This is the slower of the two. It is arguably the prettier of the two. And it is unquestionably the more hypnotic of the two. It was nearly No. 1. While most of Griffin&#8217;s seventh album was inspired by her late father, this song was inspired by inspired by Toni Morrison&#8217;s <em><a href=\"http:\/\/www.amazon.com\/Beloved-Toni-Morrison\/dp\/1400033411\" target=\"_blank\">Beloved<\/a>. <\/em>Griffin wrote a moving set of lyrics about fugitive slaves making their way to freedom. She credits her duet partner (not to mention romantic partner, if you care about such things) for coming up with the song&#8217;s mythic, earthy sound. [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2013\/06\/racking-up-plays-ohio-by-patty-griffin-feat-robert-plant\/\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/uMswPuc2QyQ\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>1. &#8220;Stockholm,&#8221; <a href=\"http:\/\/www.jasonisbell.com\/\" target=\"_blank\">Jason Isbell<\/a><\/strong><\/p>\n<p>Formerly part of the trifecta that made Drive-By Truckers such a formidable songwriting force, as a solo artist, Isbell has gradually moved away from rip-roaring southern rock and toward acoustic intimacy. That&#8217;s especially true on his fourth album, which concentrates on his relationship with fellow musician Amanda Shires and how she pushed him to <a href=\"http:\/\/www.npr.org\/2013\/06\/10\/190372187\/jason-isbell-a-southeastern-songwriters-path-to-sobriety\" target=\"_blank\">enter rehab<\/a>. In this bounding track (one of the more rock-oriented tunes on what is essentially a country album), Isbell finds himself in Sweden\u2014on tour, one presumes, or perhaps just metaphorically\u2014reflecting on how unprepared he was for something this serious. It is a powerful song, the confessions of a man both exhilarated and terrified.<\/p>\n<p style=\"padding-left: 30px;\"><em>Once a wise man to the ways of the world<\/em><br \/>\n<em> Now I&#8217;ve traded those lessons for faith in a girl<\/em><br \/>\n<em> Crossed the ocean, thousand years from my home<\/em><br \/>\n<em> In this frozen old city of silver and stone<\/em><br \/>\n<em> Ships in the harbor and birds on the bluff<\/em><br \/>\n<em> Don&#8217;t move an inch when their anchor goes up <\/em><br \/>\n<em> And the difference with me is I&#8217;ve fallen in love<\/em><br \/>\n<em> Stockholm let me go home<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/fugK72tmaUM\" height=\"267\" width=\"475\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>Jason Isbell performs April 29 at <a href=\"http:\/\/thefillmore.com\/\" target=\"_blank\">The Fillmore<\/a> in San Francisco. [<a href=\"http:\/\/concerts.livenation.com\/event\/1C004B6DECD4A245?dma_id=382\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"http:\/\/billchapin.net\/allthecitylights\/2014\/01\/rankstravaganza-2013-my-30-favorite-songs-of-the-year\/\" myshare_title=\"Rankstravaganza 2013: My 30 Favorite Songs of the Year\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>Once again, I&#8217;m turning this in a few days past deadline. No matter! It&#8217;s still not too late to celebrate 2013, which in my musical&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,836,4],"tags":[807,33,42,775,802,18,782,26,783,387,20,803,63,804,777,708,779,24,207,772,778,805,15,797,319,744,554,809,28,780,647,405,806,808],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2172"}],"collection":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=2172"}],"version-history":[{"count":26,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2172\/revisions"}],"predecessor-version":[{"id":2286,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/2172\/revisions\/2286"}],"wp:attachment":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=2172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=2172"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=2172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}