{"id":1697,"date":"2012-07-15T23:25:58","date_gmt":"2012-07-16T06:25:58","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=1697"},"modified":"2015-01-12T09:31:50","modified_gmt":"2015-01-12T17:31:50","slug":"halftime-report-my-15-favorite-songs-of-2012-thus-far","status":"publish","type":"post","link":"http:\/\/billchapin.net\/allthecitylights\/2012\/07\/halftime-report-my-15-favorite-songs-of-2012-thus-far\/","title":{"rendered":"Halftime Report: My 15 favorite songs of 2012 thus far"},"content":{"rendered":"<figure id=\"attachment_1698\" aria-describedby=\"caption-attachment-1698\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.subpop.com\/artists\/shearwater\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1698\" title=\"shearwater\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/shearwater-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/shearwater-300x225.jpg 300w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/shearwater.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1698\" class=\"wp-caption-text\">Jonathan Meiburg of Shearwater (photo by Greg Szeto, courtesy of Sub Pop Records)<\/figcaption><\/figure>\n<p>Wow, I am late getting this up. Everybody knows &#8220;best of the year so far&#8221; posts are supposed to by up by July 1, no exceptions! I have an excuse, though: My right hand was wrapped up in a splint for a week. It&#8217;s better now.<\/p>\n<p>As is almost always the case on this blog, folk-rock is well represented on this list. You won&#8217;t find &#8220;Call Me Maybe&#8221; below, either. I think it was probably No. 16. Thank goodness. I narrowly avoided the embarrassment of having to admit that I compulsively sing along to that song every single time it comes on my stereo.<\/p>\n<p>Without further ado, I proudly present the 15 songs that are leading the pack for Rankstravaganza 2012.<!--more--><\/p>\n<figure id=\"attachment_1699\" aria-describedby=\"caption-attachment-1699\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/mattjones.bandcamp.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1699\" title=\"mattjones\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/mattjones.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1699\" class=\"wp-caption-text\">(via bandcamp)<\/figcaption><\/figure>\n<p><strong>15. &#8220;Special Forces,&#8221; <a href=\"http:\/\/mattjones.bandcamp.com\/\" target=\"_blank\">Matt Jones &amp; The Reconstruction<\/a><\/strong><\/p>\n<p>Michigan\u2014and Ypsilanti in particular\u2014has this great chamber-folk scene. Singer-songwriter Matt Jones says his third album is &#8220;about being stuck in the middle: dissatisfied with what lies behind you, and unsure of what lies ahead.&#8221; There is an urgency to this opening track, with a martial beat that builds to a shout-along chorus. My other favorite thing about this track is the fact that the Bandcamp page includes the tag &#8220;northern aggression.&#8221;<\/p>\n<p><iframe loading=\"lazy\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1323690496\/size=venti\/bgcol=FFFFFF\/linkcol=4285BB\/\" frameborder=\"0\" width=\"400\" height=\"100\"><\/iframe><\/p>\n<figure id=\"attachment_1700\" aria-describedby=\"caption-attachment-1700\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/jack-white.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1700\" title=\"jack-white\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/jack-white.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1700\" class=\"wp-caption-text\">(via jackwhiteiii.com)<\/figcaption><\/figure>\n<p><strong>14. &#8220;Blunderbuss,&#8221; <a href=\"http:\/\/jackwhiteiii.com\/\" target=\"_blank\">Jack White<\/a><\/strong><\/p>\n<p>I like pretty much everything Jack White has ever done. The title track to his first solo album is no exception. It&#8217;s interesting to hear White set free of the restrictive framework of a band and just make the music he wants to make, which, in this case, is a totally Led Zeppelin-ish country ballad full of smooth, cascading steel guitar.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Okgoj2Xxa04\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p><em>Jack White is the first of many artists on this list playing at the Outside Lands music festival in San Francisco&#8217;s Golden Gate Park. He is performing on Aug. 12. [<a href=\"http:\/\/sfoutsidelands.com\/tickets\/\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<figure id=\"attachment_1701\" aria-describedby=\"caption-attachment-1701\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/chuffmedia.com\/gallery\/v\/snowpatrol\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1701\" title=\"snow-patrol\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/snow-patrol.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1701\" class=\"wp-caption-text\">(via Chuff Media)<\/figcaption><\/figure>\n<p><strong>13. &#8220;Called Out in the Dark,&#8221; <a href=\"http:\/\/www.snowpatrol.com\/\" target=\"_blank\">Snow Patrol<\/a><\/strong><\/p>\n<p>Oh, Snow Patrol. I swore I wasn&#8217;t going to fall for your slick pop-rock any more. The last two albums of yours that I bought were disappointments\u2014rarely revisited and, frankly, a little embarrassing. But, so help me, when that simple, acoustic riff kicked in, you had me. I wish I knew how to quit you.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/GwTXwJg6_VE\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1704\" aria-describedby=\"caption-attachment-1704\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/Lee_Fields.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1704\" title=\"Lee_Fields\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/Lee_Fields.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1704\" class=\"wp-caption-text\">(via Truth &amp; Soul Records)<\/figcaption><\/figure>\n<p><strong>12. &#8220;You&#8217;re the Kind of Girl,&#8221; <a href=\"http:\/\/leefieldsandtheexpressions.com\/\" target=\"_blank\">Lee Fields &amp; The Expressions<\/a><\/strong><\/p>\n<p>Folks, this is old, old, OLD-school soul. You&#8217;d be forgiven for thinking that it&#8217;s some forgotten &#8217;70s AM jam (one best played on a hot summer evening). Maybe that&#8217;s because North Carolina native Lee Fields has been part of the Southern R&amp;B scene for more than 30 years. Like fellow revivalist <a href=\"http:\/\/www.sharonjonesandthedapkings.com\/\" target=\"_blank\">Sharon Jones<\/a> (whose second-act as a professional musician started with singing backup for Fields in the &#8217;90s), he has the raw vocal chops to make it all seem 100% sincere and not just a calculated throwback.<\/p>\n<p>[<a href=\"http:\/\/mp3.rollingstone.com\/download\/LeeFields_YoureTheKindOfGirl.mp3\" target=\"_blank\">mp3<\/a> via <a href=\"http:\/\/www.rollingstone.com\/music\/news\/exclusive-download-from-lee-fields-20111213\" target=\"_blank\"><em>Rolling Stone<\/em><\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/39785586\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1710\" aria-describedby=\"caption-attachment-1710\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/AU-2-BySaraPadgett-72.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1710\" title=\"AU-2-BySaraPadgett-72\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/AU-2-BySaraPadgett-72.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1710\" class=\"wp-caption-text\">(by Sara Padgett, via Hometapes)<\/figcaption><\/figure>\n<p><strong>11. &#8220;Get Alive,&#8221; <a href=\"http:\/\/www.au-au-au.com\/\" target=\"_blank\">AU<\/a><\/strong><\/p>\n<p>Layers of looping, syncopated horn and banjo. This experimental pop band from Portland, Ore., sure knows how to get my attention. Throw in some complicated vocal harmonies and I&#8217;m sold. Oh, you have those, too? (P.S. &#8211; I have been hoping that the band&#8217;s name is pronounced &#8220;Gold,&#8221; but evidently it isn&#8217;t a periodic table joke. Nor is it pronounced &#8220;Ow.&#8221; Just say the two letters separately.)<\/p>\n<p>[mp3 via <a href=\"http:\/\/stereogum.com\/970282\/au-get-alive\/mp3s\/\" target=\"_blank\">Stereogum<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/pn87Lrr5ShM\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1711\" aria-describedby=\"caption-attachment-1711\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/trampledbyturtles.com\/press\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1711\" title=\"trampled-by-turtles-01-low\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/trampled-by-turtles-01-low.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1711\" class=\"wp-caption-text\">(via trampledbyturtles.com)<\/figcaption><\/figure>\n<p><strong>10. &#8220;Midnight on the Interstate,&#8221; <a href=\"http:\/\/trampledbyturtles.com\/\" target=\"_blank\">Trampled By Turtles<\/a><\/strong><\/p>\n<p>Midwest dudes with beards who pick up acoustic instruments and approach bluegrass and old-time music from an indie-rock perspective? Sounds like something I&#8217;d do. So why has it taken me so long to get on board with the Duluth, Min., band? I even kind of like their ridiculous name. My favorite part of almost every Trampled by Turtles song is\u00a0 Ryan Young&#8217;s fiddle, and this one climaxes with him playing a series of glorious fountains of <a href=\"http:\/\/musicalcrematorium.blogspot.com\/2004\/08\/imitative-counterpoint.html\" target=\"_blank\">imitative counterpoint<\/a> (there&#8217;s your musical theory lesson for the day).<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/MUg32TsNdJY\" frameborder=\"0\" width=\"475\" height=\"356\"><\/iframe><\/p>\n<p><em>Trampled By Turtles is playing on Aug. 12 at Outside Lands. [<a href=\"http:\/\/www.sfoutsidelands.com\/tickets\/\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<figure id=\"attachment_1712\" aria-describedby=\"caption-attachment-1712\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.rufuswainwright.com\/about\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1712\" title=\"RW_Bio\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/RW_Bio.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1712\" class=\"wp-caption-text\">(via rufuswainright.com)<\/figcaption><\/figure>\n<p><strong>9. &#8220;Out of the Game,&#8221; <a href=\"http:\/\/www.rufuswainwright.com\/\" target=\"_blank\">Rufus Wainwright<\/a><\/strong><\/p>\n<p>It wasn&#8217;t songwriting scion Rufus Wainwright&#8217;s name that made me zero in on this track. I gave it a shot because of producer <a href=\"http:\/\/www.markronson.co.uk\/us\/frontpage\" target=\"_blank\">Mark Ronson<\/a>, the guy behind, among other things, the soulful foundation for Amy Winehouse&#8217;s <em>Back in Black.<\/em> The man has a knack for pulling together diverse corners of pop music into something that is familiar but still fresh. This title track to Wainwright&#8217;s seventh studio album is another success on his part.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/6KvTDeHlIfI\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1713\" aria-describedby=\"caption-attachment-1713\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.ofmontreal.net\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1713\" title=\"001_oM\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/001_oM.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1713\" class=\"wp-caption-text\">(via ofmontreal.net)<\/figcaption><\/figure>\n<p><strong>8. &#8220;Ye, Renew the Plaintiff,&#8221; <a href=\"http:\/\/www.ofmontreal.net\/\" target=\"_blank\">Of Montreal<\/a><\/strong><\/p>\n<p>Kevin Barnes&#8217; continuing insistence on pouring out the most painful parts of his psyche in song form would be tiresome by now if he wasn&#8217;t still pushing musical boundaries. I was interested\u2014and skeptical\u2014to hear him drop early 20th century American composer Charles Ives&#8217; name in an <a href=\"http:\/\/www.magnetmagazine.com\/2011\/08\/26\/from-the-desk-of-of-montreal-charles-ives\/\" target=\"_blank\">interview<\/a> about the Georgia band&#8217;s latest album, but you really can hear some of Ives&#8217; chaotic influence in <em>Paralytic Stalks,<\/em> including the beginning and end of this nearly 9 minute track. Mostly, though, I like it because the middle section fucking ROCKS\u2014and because I think it might be making subtle references to the myth of the Fisher King. (Not that Barnes has mentioned the ancient Grail legend in reference to the album. If I ever get the chance to <a href=\"http:\/\/www.mlive.com\/entertainment\/index.ssf\/2010\/07\/full_qa_with_of_montreal_front.html\" target=\"_blank\">interview him again<\/a>, I&#8217;ll be sure to ask him if I&#8217;m way off base.)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/FruCLjy7ZFQ\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<p><!--nextpage--><\/p>\n<figure id=\"attachment_1589\" aria-describedby=\"caption-attachment-1589\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/03\/336497_10150424353564699_44037224698_8229271_1482871462_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-1589\" title=\"Andrew Bird\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/03\/336497_10150424353564699_44037224698_8229271_1482871462_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1589\" class=\"wp-caption-text\">(via Facebook)<\/figcaption><\/figure>\n<p><strong>7. &#8220;Eyeoneye,&#8221; <a href=\"http:\/\/giveitaway.andrewbird.net\/\" target=\"_blank\">Andrew Bird<\/a><\/strong><\/p>\n<p>Bird always seems to have one song on his albums that is more like a guitar-based rock song than all the gentler, violin\/whistling-based pop compositions that make up the remainder. This is that song in his ninth album, <em>Break it Yourself.<\/em> [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2012\/03\/racking-up-plays-eyeoneye-by-andrew-bird\/\" target=\"_blank\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/37533876\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<p><em>Andrew Bird is playing Aug. 9 at The Independent in San Francisco [<a href=\"http:\/\/www.theindependentsf.com\/event\/141622\/\" target=\"_blank\">tickets<\/a>] and Aug. 10 at Outside Lands [<a href=\"http:\/\/www.sfoutsidelands.com\/tickets\/\" target=\"_blank\">tickets<\/a>].<\/em><\/p>\n<figure id=\"attachment_1716\" aria-describedby=\"caption-attachment-1716\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/sharonvanetten.com\/photos\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1716\" title=\"sharon-van-etten\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/sharon-van-etten.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1716\" class=\"wp-caption-text\">(via sharonvanetten.com)<\/figcaption><\/figure>\n<p><strong>6. &#8220;Serpents,&#8221; <a href=\"http:\/\/sharonvanetten.com\/\" target=\"_blank\">Sharon Van Etten<\/a><\/strong><\/p>\n<p>Moody, somewhat dark, expertly crafted, smart, female-dominated rock. I think that Brooklyn-based songwriter Sharon Van Etten is going to be big. Maybe not Madonna big. More like <a href=\"http:\/\/wyeoakmusic.com\/\" target=\"_blank\">Wye Oak<\/a> big.<\/p>\n<p>[<a href=\"http:\/\/serve.castfire.com\/audio\/824071\/sharon-van-etten-serpents_2011-12-20-154611.128.mp3\" target=\"_blank\">mp3<\/a> via <a href=\"http:\/\/www.spinner.com\/2012\/01\/02\/sharon-van-etten-serpents-free-mp3-download\/\" target=\"_blank\">Spinner<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/hYgyQ20TJAs\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<p><em>Sharon Van Etten is playing on Aug. 10 at Outside Lands [<a href=\"http:\/\/www.sfoutsidelands.com\/tickets\/\" target=\"_blank\">tickets<\/a>] and later that night at Rickshaw Stop in San Francisco [<a href=\"http:\/\/www.rickshawstop.com\/event\/141230\/\" target=\"_blank\">tickets<\/a>].<\/em><\/p>\n<figure id=\"attachment_498\" aria-describedby=\"caption-attachment-498\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2011\/03\/punch-brothers-2010-horiz-portrait.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-498\" title=\"punch-brothers-2010-horiz-portrait\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2011\/03\/punch-brothers-2010-horiz-portrait-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-498\" class=\"wp-caption-text\">(by C. Taylor Crothers via Nonesuch Records)<\/figcaption><\/figure>\n<p><strong>5. &#8220;Don&#8217;t Get Married Without Me,&#8221; <a href=\"http:\/\/www.punchbrothers.com\/\" target=\"_blank\">Punch Brothers<\/a><\/strong><\/p>\n<p>Mandolinist Chris Thile and the rest of his band of merry bluegrass ringers take acoustic music to some very interesting, very strange places on their latest album. The final song is grounded in an enjoyable groove, but it flirts with unusual time signatures, wandering key changes and effects that make you say, &#8220;How did they get a fiddle to make that sound?&#8221; [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2012\/04\/racking-up-plays-dont-get-married-without-me-by-punch-brothers\/\">even more words<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/eTQeu3Joea4\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1719\" aria-describedby=\"caption-attachment-1719\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/brucespringsteen.net\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1719\" title=\"bruce-springsteen\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/bruce-springsteen.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1719\" class=\"wp-caption-text\">(via brucespringsteen.net)<\/figcaption><\/figure>\n<p><strong>4. &#8220;We Take Care of Our Own,&#8221; <a href=\"http:\/\/brucespringsteen.net\/\" target=\"_blank\">Bruce Springsteen<\/a><\/strong><a href=\"http:\/\/brucespringsteen.net\/\" target=\"_blank\"><br \/>\n<\/a><br \/>\nThis is perhaps what Woodie Guthrie would have sounded like if he was playing to arenas and backed by the E Street Band. The Boss is in full-blown populist mode, with a song that stands the best chance of being misunderstood as a rah-rah patriotic anthem since &#8220;Born in the USA.&#8221; Behind that peppy chorus is a question that makes the title ring hollow: How it is that so many people find the American Dream out of reach?<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/fkEU3JjNARs\" frameborder=\"0\" width=\"475\" height=\"267\"><\/iframe><\/p>\n<figure id=\"attachment_1656\" aria-describedby=\"caption-attachment-1656\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/05\/411735_332484220121920_199851036718573_837061_998377256_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-1656\" title=\"St. Lucia\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/05\/411735_332484220121920_199851036718573_837061_998377256_o-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1656\" class=\"wp-caption-text\">(via Facebook)<\/figcaption><\/figure>\n<p><strong>3. &#8220;Closer Than This,&#8221; <a href=\"https:\/\/www.facebook.com\/stlucianewyork\" target=\"_blank\">St. Lucia<\/a><\/strong><\/p>\n<p>The rich harmonies on the chorus far outweigh any misgivings I have about the song&#8217;s &#8217;80s nostalgia mongering. My cynicism doesn&#8217;t stand a chance when confronted with the Brooklyn band&#8217;s blissful synthpop. [<a href=\"http:\/\/billchapin.net\/allthecitylights\/2012\/05\/racking-up-plays-closer-than-this-by-st-lucia\/\" target=\"_blank\">even more words<\/a>]<\/p>\n<p>[<a href=\"http:\/\/www.mediafire.com\/file\/b3p3lmn9valuw5u\/Closer_Than_This_(Viceroy_Remix).mp3\" target=\"_blank\">remix<\/a> via <a href=\"http:\/\/soundcloud.com\/viceroymusic\/closerthanthis\" target=\"_blank\">Sound Cloud<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/R_2JjIUKEu4\" frameborder=\"0\" width=\"475\" height=\"356\"><\/iframe><\/p>\n<p><em>St. Lucia plays July 26 at the Rickshaw Stop in San Francisco. [<a href=\"http:\/\/www.rickshawstop.com\/event\/127381\/\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n<figure id=\"attachment_1720\" aria-describedby=\"caption-attachment-1720\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/deadoceans.com\/press\/bowerbirds\/bowerbirdspress.php\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1720\" title=\"bowerbirds2012_1\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/bowerbirds2012_1.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1720\" class=\"wp-caption-text\">(via Dead Oceans)<\/figcaption><\/figure>\n<p><strong>2. &#8220;Tuck the Darkness In,&#8221; <a href=\"http:\/\/www.bowerbirds.org\/\" target=\"_blank\">Bowerbirds<\/a><\/strong><\/p>\n<p>This indie-folk group was responsible for one of my <a href=\"http:\/\/blog.mlive.com\/citpat-pluggedin\/2009\/12\/my_top_10_albums_of_2009_--_di.html\" target=\"_blank\">favorite albums on 2009<\/a>. That subtly arranged effort sounded like it could have been recorded in a trailer of the back woods of North Carolina\u2014in fact, I think it was\u2014but on the trio&#8217;s follow-up, they&#8217;re reaching for (and achieving) Arcade Fire levels of grandiosity, complete with drums and woozy strings.<\/p>\n<p>[<a href=\"http:\/\/www.scjag.com\/mp3\/do\/tuckthedarknessin.mp3\" target=\"_blank\">mp3<\/a> via <a href=\"http:\/\/www.deadoceans.com\/artist.php?name=bowerbirds\" target=\"_blank\">Dead Oceans<\/a>]<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/BgNEsucBuMc\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<figure id=\"attachment_1698\" aria-describedby=\"caption-attachment-1698\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/shearwater.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-1698\" title=\"shearwater\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/shearwater-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1698\" class=\"wp-caption-text\">(by Greg Szeto, courtesy of Sub Pop Records)<\/figcaption><\/figure>\n<p><strong>1. &#8220;Breaking in the Yearlings,&#8221; <a href=\"http:\/\/shearwatermusic.com\/\" target=\"_blank\">Shearwater<\/a><\/strong><\/p>\n<p>I loved <em>Rook<\/em>\u2014it made the cut as one of my <a href=\"http:\/\/blog.mlive.com\/citpat-pluggedin\/2009\/10\/albums_of_the_aughts_no_43_roo.html\" target=\"_blank\">50 favorite albums of the 2000s<\/a>\u2014but somehow I wasn&#8217;t that enthused about the Austin, Texas, band&#8217;s follow-up. Singer-songwriter-<a href=\"http:\/\/www.soundcheckmagazine.com\/columns\/mxmo\/271-jonathan-meiburg-on-ornithology\" target=\"_blank\">ornithologist<\/a> Jonathan Meiburg won me back over again with this year&#8217;s <em>Animal Joy<\/em>. Other folk-influenced rock bands, including Bowerbirds, tend to present a portrait of nature as a place of relaxation and peace. Shearwater subscribes to a more brutish but no less awe-inspiring take on the natural world, where survival of the fittest is the rule. This song sounds particularly dark, like rolling thunder that suddenly breaks into full fury.<\/p>\n<p>[<a href=\"http:\/\/assets2.subpop.com\/assets\/audio\/10997.mp3\" target=\"_blank\">mp3<\/a> via <a href=\"http:\/\/www.subpop.com\/artists\/shearwater\" target=\"_blank\">Sub Pop<\/a>]<\/p>\n<p><object width=\"475\" height=\"268\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"flashvars\" value=\"playerVars=autoPlay=no\" \/><param name=\"src\" value=\"http:\/\/www.metacafe.com\/fplayer\/8095162\/shearwater_breaking_the_yearlings_official_video.swf\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"pluginspage\" value=\"http:\/\/www.macromedia.com\/go\/getflashplayer\" \/><embed width=\"475\" height=\"268\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.metacafe.com\/fplayer\/8095162\/shearwater_breaking_the_yearlings_official_video.swf\" flashvars=\"playerVars=autoPlay=no\" wmode=\"transparent\" allowfullscreen=\"true\" allowscriptaccess=\"always\" pluginspage=\"http:\/\/www.macromedia.com\/go\/getflashplayer\" \/><\/object><\/p>\n<p><em>Shearwater plays Tuesday (July 17) at Bottom of the Hill in San Francisco. [<a href=\"<embed flashVars=&quot;playerVars=autoPlay=no&quot; src=&quot;http:\/\/www.metacafe.com\/fplayer\/8095162\/shearwater_breaking_the_yearlings_official_video.swf&quot; width=&quot;440&quot; height=&quot;248&quot; wmode=&quot;transparent&quot; allowFullScreen=&quot;true&quot; allowScriptAccess=&quot;always&quot; name=&quot;Metacafe_8095162&quot; pluginspage=&quot;http:\/\/www.macromedia.com\/go\/getflashplayer&quot; type=&quot;application\/x-shockwave-flash&quot;><\/embed><div style=&quot;font-size:12px;&quot;><a href=&quot;http:\/\/www.metacafe.com\/watch\/8095162\/shearwater_breaking_the_yearlings_official_video\/&quot;>Shearwater &#8211; Breaking The Yearlings (OFFICIAL VIDEO)<\/a> &#8211; <a href=&quot;http:\/\/www.metacafe.com\/&quot;>Click here for more amazing videos<\/a><\/div>\n<p>&#8221; target=&#8221;_blank&#8221;>tickets<\/a>]<\/em><\/p>\n<h3>BONUS TRACK: My favorite local song of 2012 thus far<\/h3>\n<figure id=\"attachment_1722\" aria-describedby=\"caption-attachment-1722\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.facebook.com\/pages\/ghost-and-the-city\/98258700232?sk=photos\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1722\" title=\"ghost-city\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2012\/07\/ghost-city.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1722\" class=\"wp-caption-text\">(via Facebook)<\/figcaption><\/figure>\n<p><strong>&#8220;Call My Name,&#8221; <a href=\"http:\/\/ghostandthecity.com\/\" target=\"_blank\">Ghost &amp; The City<\/a><\/strong><\/p>\n<p>The Oakland soul band&#8217;s latest single trades a bit of the group&#8217;s trademark dark, boozy swing for a Motown beat, bolstered by gospel-style backup singers and, of course, a horn section. The arrangement is stellar, but once again it&#8217;s Ash Maynor&#8217;s deep, gritty voice that distinguishes the proceedings.<\/p>\n<p>[<a href=\"http:\/\/ghostandthecity.com\/audio\/Call_My_Name.mp3\" target=\"_blank\">mp3<\/a> via <a href=\"http:\/\/ghostandthecity.com\/\" target=\"_blank\">ghostandthecity.com<\/a>]<\/p>\n<p><em>Ghost &amp; The City is playing July 26 at Great American Music Hall in San Francisco. [<a href=\"http:\/\/tickets.gamh.com\/events\/214297\/Tumbleweed-Wanderers--Rin-Tin-Tiger-co-headline-\" target=\"_blank\">tickets<\/a>]<\/em><\/p>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"http:\/\/billchapin.net\/allthecitylights\/2012\/07\/halftime-report-my-15-favorite-songs-of-2012-thus-far\/\" myshare_title=\"Halftime Report: My 15 favorite songs of 2012 thus far\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>Wow, I am late getting this up. Everybody knows &#8220;best of the year so far&#8221; posts are supposed to by up by July 1, no&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[349,836,4],"tags":[645,689,42,684,685,693,426,695,979,687,688,686,24,53,691,692,694,649,672,690],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1697"}],"collection":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=1697"}],"version-history":[{"count":18,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1697\/revisions"}],"predecessor-version":[{"id":1727,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1697\/revisions\/1727"}],"wp:attachment":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=1697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=1697"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=1697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}