{"id":1393,"date":"2011-12-27T11:28:24","date_gmt":"2011-12-27T19:28:24","guid":{"rendered":"http:\/\/billchapin.net\/allthecitylights\/?p=1393"},"modified":"2015-01-12T09:31:51","modified_gmt":"2015-01-12T17:31:51","slug":"rankstravaganza-my-30-favorite-tracks-of-2011","status":"publish","type":"post","link":"http:\/\/billchapin.net\/allthecitylights\/2011\/12\/rankstravaganza-my-30-favorite-tracks-of-2011\/","title":{"rendered":"Rankstravaganza: My 30 favorite tracks of 2011"},"content":{"rendered":"<figure id=\"attachment_1394\" aria-describedby=\"caption-attachment-1394\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.daleearnhardtjrjr.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1394\" title=\"Dale Earnhardt Jr. Jr.\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2011\/12\/bg_header-300x182.jpg\" alt=\"\" width=\"300\" height=\"182\" srcset=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2011\/12\/bg_header-300x182.jpg 300w, http:\/\/billchapin.net\/allthecitylights\/wp-content\/uploads\/2011\/12\/bg_header.jpg 618w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1394\" class=\"wp-caption-text\">Portait of the Artists as a Young Band. Detroit duo Dale Earnhardt Jr. Jr. was responsible for my favorite track of 2011. (via daleearnhardtjrjr.com)<\/figcaption><\/figure>\n<p>I don&#8217;t know about you, but for me, 2011 was not a year of discovery. Most of the songs that bubbled their way to the top of my most-played tracks from last year were by bands I already knew and loved. Oh, there were some surprises along the way\u2014a Norwegian singer-songwriter here, a former <em>Entourage<\/em> cast member there\u2014but mostly I listened to bands that continued streaks of great music. I hope that says more about the music released in 2011 than about me getting older and settled in my ways.<\/p>\n<p>If you followed this blog at all, you won&#8217;t be the least bit surprised to learn that the following list leans heavily to the indie-pop side of things, though there is some hip hop, R&amp;B and noisy rock &#8216;n&#8217; roll to be found.<!--more--><\/p>\n<p>When the artists, their labels or established websites have provided free mp3 downloads of the songs, I have included links. Also, because all the cool kids are doing it, I created a <a href=\"http:\/\/open.spotify.com\/user\/1212188094\/playlist\/0WTBscHKJCqfDQA4UbQ7OK\" target=\"_blank\">Spotify playlist<\/a> featuring all the tracks except one that wasn&#8217;t available on the service. (Pssst! The Downer Party: Upload your most recent EP!)<\/p>\n<p>This is just the beginning of Rankstravaganza 2011. Before midnight on Dec. 31, expect to see (significantly shorter) posts on <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/12\/rankstravaganza-my-15-favorite-albums-of-2011\/\">my favorite albums<\/a> and <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/12\/rankstravaganza-my-10-favorite-tracks-of-2011-by-bay-area-acts\/\">my favorite tracks by Bay Area artists<\/a>.<\/p>\n<h3><strong>30. &#8220;Used to be a Cop,&#8221; <a href=\"http:\/\/www.drivebytruckers.com\/\" target=\"_blank\">Drive-By Truckers<\/a><\/strong><\/h3>\n<p>Patterson Hood can still tell a story better than most. Set to a characteristically dark, southern-rock boogie by the Georgia band, this tale is written from the perspective of a creepy guy who just can&#8217;t get over the loss of his gun, badge or wife.<\/p>\n<p><object width=\"100%\" height=\"81\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F8738542\" \/><embed width=\"100%\" height=\"81\" type=\"application\/x-shockwave-flash\" src=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F8738542\" allowscriptaccess=\"always\" \/><\/object><\/p>\n<p><a href=\"http:\/\/serve.castfire.com\/audio\/495623\/drive-by-truckers-used-to-be-a-cop_2011-01-17-080923.128.mp3\" target=\"_blank\">[free mp3<\/a> via <a href=\"http:\/\/www.spinner.com\/2011\/01\/18\/drive-by-truckers-used-to-be-a-cop-free-mp3-download\/\" target=\"_blank\">Spinner<\/a>]<\/p>\n<h3><strong>29. &#8220;KMAG YOYO,&#8221; <a href=\"http:\/\/www.hayescarll.com\/\" target=\"_blank\">Hayes Carll<\/a><\/strong><\/h3>\n<p>The title is an unofficial military acronym that stands for &#8220;Kiss my ass, guys. You&#8217;re on your own.&#8221; Though the Texas singer-songwriter is more interested in how an impressive stream of rhymes can form a\u00a0 narrative\u2014detailing a young soldier&#8217;s journey from opportunistic drug trafficker to stratospheric test subject\u2014the result hints at the same sense of political outrage that Steve Earle does so well.<\/p>\n<p><object width=\"100%\" height=\"81\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F16930100\" \/><embed width=\"100%\" height=\"81\" type=\"application\/x-shockwave-flash\" src=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F16930100\" allowscriptaccess=\"always\" \/><\/object><\/p>\n<h3><strong>28. &#8220;Santa Fe,&#8221; <a href=\"http:\/\/beirutband.com\/\" target=\"_blank\">Beirut<\/a><\/strong><\/h3>\n<p>Everything that makes Zach Condon&#8217;s melding of Eastern European brass and electronic burbling so intriguing is represented in this melodic ode to his hometown.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/AlwDbdiaAvI\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><br \/>\n<a name=\"bartonhollow\"><\/a><\/p>\n<h3><strong>27. &#8220;Barton Hollow,&#8221; <a href=\"http:\/\/thecivilwars.com\/\" target=\"_blank\">The Civil Wars<\/a><\/strong><\/h3>\n<p>If all of Nashville&#8217;s offerings sounded more like this howling boot-stomper; featured such haunting harmonies; and touched on traditionalist themes like sin and redemption, I might actually tune in to country radio occasionally.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/ooTyuRd9zSg\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>26. &#8220;Civilian,&#8221; <a href=\"http:\/\/wyeoakmusic.com\/\" target=\"_blank\">Wye Oak<\/a><\/strong><\/h3>\n<p>The Baltimore band continues to impress with brooding, introspective rock. The title track from the duo&#8217;s third album starts with Jenn Wasner picking her electric guitar and contemplating her need for intimacy, and it concludes with one heck of a noise-rock freak-out. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/01\/racking-up-plays-civilian-by-wye-oak\/\" target=\"_blank\">Racking Up Plays: &#8220;Civilian&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/E2guLl6Hmwo\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><em><\/em><\/p>\n<p>[<a href=\"http:\/\/cdn.stereogum.com\/downloader\/?file=%2Ffiles%2Fmp3%2FWye+Oak+-+Civilian\/\" target=\"_blank\">free mp3<\/a> via <a href=\"http:\/\/stereogum.com\/595492\/wye-oak-civilian-stereogum-premiere-2\/mp3s\/\" target=\"_blank\">Stereogum<\/a>]<\/p>\n<p><em>Catch Wye Oak live with Sea of Bees as part of <a href=\"http:\/\/2012.noisepop.com\/\" target=\"_blank\">Noise Pop 2012<\/a> on Feb. 24 at <a href=\"http:\/\/www.theindependentsf.com\/\" target=\"_blank\">The Independent<\/a> in San Francisco. <a href=\"http:\/\/www.ticketfly.com\/purchase\/event\/82737?__utma=1.63727233.1303596445.1324754691.1325007049.5&amp;__utmb=1.1.10.1325007049&amp;__utmc=1&amp;__utmx=-&amp;__utmz=1.1325007049.5.2.utmcsr=google|utmccn=%28organic%29|utmcmd=organic|utmctr=%28not%20provided%29&amp;__utmv=-&amp;__utmk=238258304\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n<h3><strong>25. &#8220;Senator,&#8221; <a href=\"http:\/\/stephenmalkmus.com\/\" target=\"_blank\">Stephen Malkmus &amp; the Jicks<\/a><\/strong><\/h3>\n<p>Even after so many political sex scandals, there&#8217;s still something a bit shocking about how direct the Portland, Oregon, band is in juxtaposing the prestige of the United States Senate with the lewdness of oral sex. Some critics have complained that the result is &#8220;<a href=\"http:\/\/www.avclub.com\/articles\/stephen-malkmus-the-jicks-mirror-traffic,60656\/\" target=\"_blank\">cringe inducing<\/a>,&#8221; but this is Stephen Malkmus. Back in the grunge era, Pavement got heaps of praise for making such snotty rock.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/pADR7Hx9xqk\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>[<a href=\"http:\/\/downloads.pitchforkmedia.com\/stephen_malkmus_jicks_senator.mp3\" target=\"_blank\">free mp3<\/a> via <a href=\"http:\/\/pitchfork.com\/news\/42761-new-stephen-malkmus-and-the-jicks-senator\/\" target=\"_blank\">Pitchfork<\/a>]<\/p>\n<h3><strong>24. &#8220;Montezuma,&#8221; <a href=\"http:\/\/fleetfoxes.com\/\" target=\"_blank\">Fleet Foxes<\/a><\/strong><\/h3>\n<p>The Seattle indie-folk band&#8217;s sophomore album has all the gorgeous harmonies that made its debut so instantly pleasing, but it has a depth that gives it more staying power. The lyrics are awash in self-reflection, with singer Robin Pecknold questioning his place in the world: &#8220;So now I am older than my mother and father when they had their daughter. Now what does that say about me?&#8221;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/C-C1A65Zcuw\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<h3><strong>23. &#8220;Roosevelt Island,&#8221; <a href=\"http:\/\/www.eleanorfriedberger.com\/\" target=\"_blank\">Eleanor Friedberger<\/a><\/strong><\/h3>\n<p>I have the advantage of being not terribly familiar with <a href=\"http:\/\/www.thefieryfurnaces.com\/site\/\" target=\"_blank\">The Fiery Furnaces<\/a>, so I don&#8217;t have any hangups about how Friedberger&#8217;s solo debut compares. All I know is I&#8217;ve been enjoying the odd combination of funky clavinet and stream-of-consciousness lyrics tumbling out of her mouth, as she muses existentially about a trip to the titular island in New York&#8217;s East River.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/V4h51YBt2lA\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>[<a href=\"http:\/\/www.digitalwell.washington.edu\/dw\/1\/51\/49\/49839bbc-bead-42e9-ae1f-793f8ce489a7.MP3\" target=\"_blank\">free mp3<\/a> via <a href=\"http:\/\/blog.kexp.org\/blog\/2011\/08\/03\/song-of-the-day-eleanor-friedberger-roosevelt-island\/\" target=\"_blank\">KEXP<\/a>]<\/p>\n<p><em>Catch Eleanor Friedberger live on Feb. 4 at <a href=\"http:\/\/www.theindependentsf.com\/\" target=\"_blank\">The Independent<\/a> in San Francisco. <a href=\"http:\/\/www.ticketfly.com\/purchase\/event\/85405?__utma=1.63727233.1303596445.1307376528.1324754691.4&amp;__utmb=1.2.10.1324754691&amp;__utmc=1&amp;__utmx=-&amp;__utmz=1.1324754691.4.1.utmcsr=google|utmccn=%28organic%29|utmcmd=organic|utmctr=%28not%20provided%29&amp;__utmv=-&amp;__utmk=3308464\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n<h3><strong>22. &#8220;Clap,&#8221; <a href=\"http:\/\/saigonnation.com\/\" target=\"_blank\">Saigon<\/a><\/strong><\/h3>\n<p>The New York emcee demonstrates everything hip hop ought to be in 2011: honest, brash, neither humorless nor frivolous, potentially a little bit offensive, and featuring Faith Evans singing a gospel-inspired hook. And don&#8217;t forget the hand claps. Hip hop needs more hand claps.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/kxHOgpOMUe0\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>21. &#8220;Tell Me What I Did,&#8221; <a href=\"http:\/\/www.allmusic.com\/artist\/ben-folds-five-p359896\" target=\"_blank\">Ben Folds Five<\/a><\/strong><\/h3>\n<p>The inaccurately named trio reunited this year to record three tracks for Folds&#8217; career-spanning retrospective. This song about a schoolyard bully, penned by bassist Robert Sledge before the North Carolina band broke up in 1999, is the only one that approaches the freewheeling piano-punk that made the band&#8217;s early albums such fun. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/12\/racking-up-plays-tell-me-what-i-did-by-ben-folds-five\/\" target=\"_blank\">Racking Up Plays: &#8220;Tell Me What I Did&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/WruyzvuA_Ww\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><br \/>\n<!--nextpage--><\/p>\n<h3><strong>20. &#8220;Don&#8217;t Carry It All,&#8221; <a href=\"http:\/\/decemberists.com\/\" target=\"_blank\">The Decemberists<\/a><\/strong><\/h3>\n<p>After a few years in the forest of mythical prog-rock epics, the Portland, Oregon, band emerged with a simplified focus on good-ol&#8217; jangly Americana, heralded by this opening boot-stomper about turning seasons and neighborly compassion.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/MEnUp2j8TV4\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<h3><strong>19. &#8220;I Know,&#8221; <a href=\"http:\/\/davidlynch.com\/\" target=\"_blank\">David Lynch<\/a><\/strong><\/h3>\n<p>Yes, <em>that<\/em> David Lynch. The man has decided that he is no longer just an L.A. film director\/Internet weatherman\/general weirdo, but a musician to boot. Between his high-pitched, nasal whine and the noir-ish reverb on the guitars, this song achieves an atmosphere that can only be described as &#8220;Lynchian.&#8221;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/gLzU42xXcIg\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>18. &#8220;L.I.F.E.G.O.E.S.O.N.,&#8221; <a href=\"http:\/\/www.noahandthewhale.com\/home.php\" target=\"_blank\">Noah and the Whale<\/a><\/strong><\/h3>\n<p>&#8220;How come nobody sounds like mid-&#8217;80s Tom Petty and the Heartbreakers anymore?&#8221; You&#8217;ve probably been asking yourself this for years, and this song is the answer to your prayers. Not afraid to play simple, three-chord rock &#8216;n&#8217; roll, the English band spells out an irresistible hook between tales of aging waitresses and starving writers. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/04\/racking-up-plays-l-i-f-e-g-o-e-s-o-n-by-noah-and-the-whale\/\" target=\"_blank\">Racking Up Plays: &#8220;L.I.F.E.G.O.E.S.O.N.&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/fbGUEelmzxo\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>17. &#8220;Under the Gun,&#8221; <a href=\"http:\/\/www.apexmanor.com\/\" target=\"_blank\">Apex Manor<\/a><\/strong><\/h3>\n<p>After the breakup of L.A. band <a href=\"http:\/\/www.myspace.com\/thebrokenwest\" target=\"_blank\">The Broken West<\/a>, singer Ross Flournoy responded to an NPR blogger&#8217;s challenge to <a href=\"http:\/\/www.npr.org\/blogs\/monitormix\/2009\/11\/its_so_easy_to_record_a_song.html\" target=\"_blank\">write and record a song in a single weekend<\/a> with this power-pop anthem about &#8220;feeling under the gun.&#8221; Meta-songwriting never sounded so freewheeling. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/02\/racking-up-plays-under-the-gun-by-apex-manor\/\" target=\"_blank\">Racking Up Plays: &#8220;Under the Gun&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/7TSjp1uT5LY\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>[<a href=\"http:\/\/www.mergerecords.com\/audio\/apexmanor\/underthegun.mp3\" target=\"_blank\">free mp3<\/a> via Merge Records]<\/p>\n<h3><strong>16. &#8220;Violin,&#8221; <a href=\"http:\/\/amoslee.com\/\" target=\"_blank\">Amos Lee<\/a><\/strong><\/h3>\n<p>A gospel tune for the weary, this shuffling ballad gets an ethereal assist <a href=\"http:\/\/www.ironandwine.com\/\" target=\"_blank\">Iron and Wine<\/a> vocalist Sam Beam and his trademark hushed vocals. The Philadelphia songwriter, meanwhile, sounds rootsy and ragged, as he searches for God and finds the answer in an old violin.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/I5raMzavYgE\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>15. &#8220;Wine &amp; Chocolates,&#8221; <a href=\"http:\/\/theophiluslondon.net\/\" target=\"_blank\">Theophilius London<\/a><\/strong><\/h3>\n<p>I&#8217;m familiar with <a href=\"http:\/\/www.avclub.com\/articles\/theophilus-london-timez-are-weird-these-days,60104\/\" target=\"_blank\">all the objections<\/a> raised against the style-conscious Brooklyn emcee&#8217;s hipster-hop (I just made up a scathing prejorative!), but I forget all about them whenever this track&#8217;s cool-as-a-$50-T-shirt beat drops. Plus he&#8217;s got a decent singing voice.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/-U9KIjBuRBM\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><em>Catch Theophilius London live with Nick Waterhouse on Jan. 21 at <a href=\"http:\/\/www.mezzaninesf.com\/calendar.asp\" target=\"_blank\">Mezzanine<\/a> in San Francisco. <a href=\"http:\/\/theophilusmezzanine.eventbrite.com\/\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n<h3><strong>14. &#8220;Make Some Noise,&#8221; <a href=\"http:\/\/beastieboys.com\/\" target=\"_blank\">Beastie Boys<\/a><\/strong><\/h3>\n<p>There&#8217;s nothing too profound going on here\u2014just Mike D, MCA and Ad-Rock laying down some funky-ass keyboard and rhymes about the need to &#8220;party for your motherfucking right to fight.&#8221; At this point, the Brooklyn rappers have probably earned the right to make an homage to themselves.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/WdgLMslbDuY\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>13. &#8220;Country Kids,&#8221; <a href=\"http:\/\/thedownerparty.blogspot.com\/\" target=\"_blank\">The Downer Party<\/a><\/strong><\/h3>\n<p>The Transamerica Pyramid looms as large over this track as it does over San Francisco&#8217;s skyline, as frontwoman Sierra Frost suggests that &#8220;you can throw yourself off&#8221; the iconic building. The San Francisco band hits all the best, cynical notes that made &#8217;90s alt-rock such angsty fun. (<strong>See also: <\/strong><a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/06\/racking-up-plays-country-kids-by-the-downer-party\/\" target=\"_blank\">Racking Up Plays: &#8220;Country Kids&#8221;<\/a>)<strong><br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/WYSt1lnOJKU\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<h3><strong>12. &#8220;Rolling in the Deep,&#8221; <a href=\"http:\/\/www.adele.tv\/\" target=\"_blank\">Adele<\/a><\/strong><\/h3>\n<p>Have you heard this song? Oh, you should totally check it out.<\/p>\n<p>Seriously, though, I find it encouraging that it&#8217;s still possible for a song to become an inescapable, international phenomenon simply because it&#8217;s so well-crafted that literally everyone likes it. Perhaps there&#8217;s hope for pop music after all. (<strong>See also: <\/strong><a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/03\/racking-up-plays-rolling-in-the-deep-by-adele\/\" target=\"_blank\">Racking Up Plays: &#8220;Rolling in the Deep&#8221;<\/a>)<strong><br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/rYEDA3JcQqw\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>11. &#8220;Birth of Serpents,&#8221; <a href=\"http:\/\/www.mountain-goats.com\/\" target=\"_blank\">The Mountain Goats<\/a><\/strong><\/h3>\n<p>You know how I know John Darnielle is an amazing songwriter? Because the North Carolina resident can take the process of film developing (Note to anyone born after 1997: Cameras used to take pictures using strips of light-sensitive plastic called &#8220;film.&#8221; It&#8217;s true! Google it!) and turn it into a folk-pop song that not only sounds profound but gets stuck in my head for days at a time.<strong><br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/NVYYjEYEkVQ\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>[<a href=\"http:\/\/www.digitalwell.washington.edu\/dw\/1\/51\/4a\/4ad94876-b63c-4a75-bc9d-21c4abc1cd57.mp3\">free mp3<\/a> via <a href=\"http:\/\/blog.kexp.org\/blog\/2011\/03\/29\/song-of-the-day-the-mountain-goats-birth-of-serpents\/\" target=\"_blank\">KEXP<\/a>]<\/p>\n<p><!--nextpage--><\/p>\n<h3><strong>10. &#8220;Private Caller,&#8221; <a href=\"http:\/\/www.sondrelerche.com\/\" target=\"_blank\">Sondre Lerch<\/a><\/strong><\/h3>\n<p>This one snuck its way into my Top 10 quite unexpectedly. The Norwegian singer-songwriter has been doing his thing for a decade now, and garnering a strong following in the U.S., but I knew nothing of him. I&#8217;m not even sure how or where I came upon this track. I just know I kept coming back to its semi-acoustic boogie.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/R1uixzNlI0Y\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>9. &#8220;We All Go Back to Where We Belong,&#8221; <a href=\"http:\/\/remhq.com\/index.php\" target=\"_blank\">R.E.M.<\/a><\/strong><\/h3>\n<p>Would this pop tune\u2014released as part of the compilation album <em>Part Lies, Part Heart, Part Truth, Part Garbage 1982\u20132011<\/em>\u2014have seemed as poignant if it hadn&#8217;t come out right after Michael Stipe, Peter Buck and Mike Mills announced they were calling it quits? Probably not, but damned if its Bachrachian arrangement and sentimental lyrics don&#8217;t make for a fitting coda to the 31-year career of America&#8217;s preeminent alternative-rock band. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/11\/racking-up-plays-we-all-go-back-to-where-we-belong-by-r-e-m\/\" target=\"_blank\">Racking Up Plays: &#8220;We All Go Back to Where We Belong<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/kpwd1YLgDaM\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>8. &#8220;I Might,&#8221; <a href=\"http:\/\/wilcoworld.net\/#!\/\" target=\"_blank\">Wilco<\/a><\/strong><\/h3>\n<p>The 7-minute krautrock freakout &#8220;Art of Almost&#8221; is rightly getting a lot of praise as a bold statement of purpose from a re-engaged Wilco, but this subsequent track on the Chicago band&#8217;s eighth studio album, <em>The Whole Love,<\/em> is deserving in its own right. It packages all that adventurous momentum into one tight, elastic single. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/07\/racking-up-plays-i-might-by-wilco\/\" target=\"_blank\">Racking Up Plays: &#8220;I Might&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/nNs7NLwuHx0\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><em> Wilco&#8217;s show on Jan. 31 at the <a href=\"http:\/\/www.thefoxoakland.com\/\" target=\"_blank\">Fox Theater<\/a> in Oakland is sold out.<\/em><\/p>\n<h3><strong>7. &#8220;The Valley,&#8221; <a href=\"http:\/\/www.okkervilriver.com\/\" target=\"_blank\">Okkervil River<\/a><\/strong><\/h3>\n<p>You see? Folk-rock isn&#8217;t all peace, love and unplugged guitars. Will Sheff and his Austin, Texas, cohorts let the fury fly on this track, <em><\/em>building on a foundation of violent imagery (&#8220;a slit throat makes a note like a raw winter wind&#8221;) and snare drum that cracks like a shotgun.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/vCAAceeWA_Q\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<h3><strong>6. &#8220;The Lark,&#8221; <a href=\"http:\/\/timothymonger.com\/\" target=\"_blank\">Timothy Monger<\/a><\/strong><\/h3>\n<p>Monger was responsible for some truly ingratiating songwriting as a member of the Michigan band <a href=\"http:\/\/greatlakesmythsociety.com\/\" target=\"_blank\">Great Lakes Myth Society<\/a>, but this has to be one of his most appealing melodies to date. Starting with just his voice and banjo picking, it builds to an epic, Neutral Milk Hotel-esque frenzy of fuzz guitar and trumpet. (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/09\/racking-up-plays-the-lark-by-timothy-monger\/\" target=\"_blank\">Racking Up Plays: &#8220;The Lark&#8221;<\/a>)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/r6xqIxhZvV8\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<h3><strong>5. &#8220;Stone Rollin&#8217;,&#8221; <a href=\"http:\/\/www.raphaelsaadiq.com\/us\/home\" target=\"_blank\">Raphael Saadiq<\/a><\/strong><\/h3>\n<p>The Oakland native and Tony! Toni! Ton\u00e9! member returned with another strong collection of old-school R&amp;B, exemplified by this title track. A sweaty, booty-moving jam, it has fluttering harmonica, a serious guitar groove, and enough soul to earn credible comparisons to Stevie Wonder and Otis Redding.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/wHyalVRUXrA\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>4. &#8220;Burn it Down, <a href=\"http:\/\/www.doomtree.net\/sims\/\" target=\"_blank\">Sims<\/a><\/strong><\/h3>\n<p>Unlike other parts of Sims&#8217; <em>Bad Time Zoo<\/em>\u2014in which the philosophical Minnesota rapper&#8217;s criticisms of consumerism, disconnectedness and abandoned cities can be a bit too on-the-nose\u2014here he lets imagery and metaphor do the heavy lifting. Members of the consistently impressive <a href=\"http:\/\/\/www.doomtree.net\/\" target=\"_blank\">Doomtree<\/a> collective, Sims and producer <a href=\"http:\/\/www.doomtree.net\/lazerbeak\/\" target=\"_blank\">Lazerbeak<\/a>\u2014who provides an urgent, sax-driven beat\u2014are just two reasons that Minneapolis is fast becoming the capital of intelligent hip hop.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Y_x6M3UXq9M\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><em>Catch Sims with his Doomtree cohorts on Jan. 31 at <a href=\"http:\/\/www.slimspresents.com\/\" target=\"_blank\">Slim&#8217;s<\/a> in San Francisco. <a href=\"http:\/\/tickets.slims-sf.com\/events\/180445\/Doomtree-\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n<h3><strong>3. &#8220;Still Life,&#8221; <a href=\"http:\/\/thehorrors.co.uk\/\" target=\"_blank\">The Horrors<\/a><\/strong><\/h3>\n<p>You could probably slip this deliberately paced anthem into a playlist of &#8217;80s post-punk\u2014right between some Echo &amp; The Bunnymen and some The Jesus and Mary Chain\u2014and nobody would notice. The English band has a reputation for making gloomy rock, but this song positively bursts with life, swirling around a backwards guitar part before soaring through a cinematic chorus.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/sJQk0jDZx8o\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<h3><strong>2. &#8220;Canajoharie,&#8221; <a href=\"http:\/\/www.theymightbegiants.com\/\" target=\"_blank\">They Might Be Giants<\/a><\/strong><\/h3>\n<p>It&#8217;s been more than 10 years since I was this smitten with a TMBG song. The nerd-rock progenitors offered up a typically absurdest take on evolution, involving a vision of a giant tentacle arm reaching out of an upstate New York swamp. &#8220;It was right through those trees. I&#8217;m not insane,&#8221; John Linnell insist over some guitar riffs that rock as hard as anything off of <em>John Henry.<\/em> (<strong>See also:<\/strong> <a href=\"http:\/\/billchapin.net\/allthecitylights\/2011\/09\/racking-up-plays-canajoharie-by-they-might-be-giants\/\">Racking Up Plays: &#8220;Canajoharie&#8221;<\/a>)<em><br \/>\n<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/9DCzUk5w4h8\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p><em>Catch They Might Be Giants live on Jan. 27 at the <a href=\"http:\/\/riotheatre.com\/\" target=\"_blank\">Rio Theatre<\/a> in Santa Cruz. <a href=\"http:\/\/www.ticketweb.com\/t3\/sale\/SaleEventDetail?dispatch=loadSelectionData&amp;eventId=3988695\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n<h3><strong>1. &#8220;Morning Thought,&#8221; <a href=\"http:\/\/www.daleearnhardtjrjr.com\/\" target=\"_blank\">Dale Earnhardt Jr. Jr.<\/a><\/strong><\/h3>\n<p>Even with all my hometown pride, I didn&#8217;t give this Detroit duo much of a chance when its debut EP came out last year. Certainly the obnoxious name didn&#8217;t help matters, but also its low-fi pop just didn&#8217;t quite win me over. That all changed when I heard this track off the band&#8217;s first full-length album, <em>It&#8217;s a Corporate World.<\/em> It achieves a perfect balance of gorgeous catharsis and psychedelic weirdness, the same sweet spot that has served The Flaming Lips so well. A barrage of quirky effects (vaguely reminiscent of Sigur R\u00f3s) keep things interesting. A strong melody and thudding bass rhythm keep things grounded. Dale Earnhardt Jr. Jr. also understands the power of vocal harmonies better than probably 99 percent of the folks trying to record pop songs in their bedrooms. (Without getting too technical, just listen to the way the duo&#8217;s voices rise and fall in a series of paired &#8220;ahs&#8221; at the end of the song, altering the intervals ever so to change the character of the chord.)<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/7QTdg7Hj9wY\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p>[<a href=\"https:\/\/www.facebook.com\/daleearnhardtjrjr?sk=app_232013990187481&amp;app_data=dlt\" target=\"_blank\">free mp3<\/a>]<\/p>\n<p><em>Catch Dale Earnhardt Jr. Jr. live on Jan. 26 and 27 at <a href=\"http:\/\/theregencyballroom.com\/\" target=\"_blank\">The Regency Ballroom<\/a> in San Francisco with Fitz &amp; The Tantrums and American Tomahawk. <a href=\"https:\/\/tickets.axs.com\/eventShopperV2.html?wr=d30dbbcd-b6a9-4b09-a2be-34bf0b29d35d&amp;skin=regency&amp;src=AEGLIVE_WSFREGBALL09&amp;fbShareURL=http%3A%2F%2Ftheregencyballroom.com%2Feventdetail.php%3Fid%3D33853\" target=\"_blank\">Click for tickets<\/a>.<\/em><\/p>\n\n<!-- Share-Widget Button BEGIN -->\n<a href=\"javascript:void(0);\" myshare_id=\"mys_shareit\" myshare_url=\"http:\/\/billchapin.net\/allthecitylights\/2011\/12\/rankstravaganza-my-30-favorite-tracks-of-2011\/\" myshare_title=\"Rankstravaganza: My 30 favorite tracks of 2011\" rel=\"nofollow\" onclick=\" return false;\" style=\"text-decoration:none; color:#000000; font-size:11px; line-height:20px;\">\n<img decoding=\"async\" src=\"http:\/\/billchapin.net\/allthecitylights\/wp-content\/plugins\/share-widget\/img\/share-button-white-small.png\" height=\"20\" alt=\"Share\" style=\"border:0\"\/><\/a>\n<script type=\"text\/javascript\">\n<!--\nvar _myssmw=true;\n\n\/\/-->\n<\/script>\n<!-- Share-Widget Button END -->","protected":false},"excerpt":{"rendered":"<p>I don&#8217;t know about you, but for me, 2011 was not a year of discovery. Most of the songs that bubbled their way to the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,836,4],"tags":[151,351,141,596,458,561,42,591,592,594,323,414,116,210,599,281,161,352,207,307,15,312,350,280,597,593,553,89,196,598,200,595,405,440,74,109],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1393"}],"collection":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/comments?post=1393"}],"version-history":[{"count":34,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1393\/revisions"}],"predecessor-version":[{"id":3570,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/posts\/1393\/revisions\/3570"}],"wp:attachment":[{"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/media?parent=1393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/categories?post=1393"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/billchapin.net\/allthecitylights\/wp-json\/wp\/v2\/tags?post=1393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}